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Dominicanas unbound: Religion, culture and politics in Dominican and Dominican American women's literature.

机译:多米尼加共和国不受限制:多米尼加和多米尼加美国妇女文学中的宗教,文化和政治。

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摘要

What is the connection between contemporary Dominican literature and Louis Althusser's theories about how the ruling classes are able to maintain power? I conclude that there is a sector of Dominican literature that gives an inside look at how groups that have traditionally been classified as marginalized, specifically women, the poor and Afro-descendants have survived within specific hegemonies since the early twentieth century on the island and in the U.S. Angie Cruz, Nelly Rosario, Maritza Loida Perez, Julia Alvarez Marta Rivera and Marisela Rizik are Dominican and Dominican American women whose novels illustrate the daily struggles of those who do not belong to the mainstream, yet make a space for themselves in which to live despite the challenges they face in their respective eras and countries. I examine these challenges in the context of two of Althusser's best known theories, those of ideological state apparatuses or ISAs (such as religion, education, family, law, politics, culture, the media and the economy) and repressive state apparatuses or RSAs (such as the government, military, police, courts and prisons).;I utilize three main ideologies through which to analyze the literature discussed in this work: religion, culture and dictatorship, or two ISAs and one RSA. With regards to religion I argue that the novels, Soledad, El tiempo del olvido, Geographies of Home and In the Time of the Butterflies illustrate the marginalized's ability to use their faith systems to attempt to avoid being oppressed by the dominant society whose religious system does not offer them relief. I then propose that Soledad, Song of the Water Saints, and He olvidado tu nombre show how subaltern subjects are affected by the culture of the ruling classes, specifically how it often causes the subaltern subject to find itself caught between its own cultural norms and those of mainstream society producing a hybrid identity or a completely new one that is forced to assimilate. Lastly, I explore the effects of the Trujillo regime upon those who opposed it in In the Time of the Butterflies, Let it Rain Coffee and El tiempo del olvido by discussing how the novels' characters represent Antonio Gramsci's organic and traditional intellectuals coming together to effect political change in the Dominican Republic.
机译:当代多米尼加文学与路易斯·阿尔都塞关于统治阶级如何维持权力的理论之间有什么联系?我的结论是,多米尼加文学的一部分内容是对传统上被边缘化的群体,特别是妇女,穷人和非洲裔后裔,自20世纪初以来在岛上和殖民地的特定霸权中如何生存的内部看法。美国的安吉·克鲁兹(Angie Cruz),内莉·罗萨里奥(Nelly Rosario),玛丽莎·罗伊达·佩雷斯(Maritza Loida Perez),茱莉亚·阿尔瓦雷斯(Julia Alvarez),玛塔·里维拉(Marisela Rizik)是多米尼加和多米尼加的美国女性,她们的小说说明了不属于主流的人们的日常挣扎,但却为自己创造了空间尽管他们在各自的时代和国家面临挑战,但他们仍然生活。我在阿尔都塞最著名的两种理论背景下考察了这些挑战,即意识形态国家机构或ISA(例如宗教,教育,家庭,法律,政治,文化,媒体和经济)和压制性国家机构或RSA(例如政府,军事,警察,法院和监狱。)我使用三种主要的意识形态来分析本文讨论的文献:宗教,文化和独裁统治,或者两个ISA和一个RSA。关于宗教,我认为小说,索莱达(Soledad),埃尔蒂姆波·德尔奥维多(El tiempo del olvido),《家庭地理》和《蝴蝶时代》都说明了边缘化群体利用自己的信仰体系来避免被其宗教体系所统治的社会压迫的能力。不给他们救济。然后,我建议Soledad,《水上圣歌》和ol vidado tu nombre展示次要臣民如何受到统治阶级文化的影响,特别是它通常如何导致次要臣民发现自己陷入其自身的文化规范与那些文化规范之间的主流社会产生了一种混合身份或一种被迫吸收的全新身份。最后,我通过讨论小说中的人物如何表现安东尼奥·葛兰西的有机和传统知识分子,探讨了特鲁希略政权对那些在《蝴蝶时代》,《让它下雨咖啡》和《蒂姆波·德尔·奥尔维多》中反对者的影响。多米尼加共和国的政治变革。

著录项

  • 作者

    Mitchell, Maisha.;

  • 作者单位

    Georgetown University.;

  • 授予单位 Georgetown University.;
  • 学科 Literature Latin American.;Womens Studies.;Hispanic American Studies.;Literature Caribbean.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 199 p.
  • 总页数 199
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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