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Of Wilderness, Forest, and Garden: An Eco-Theory of Genre in Middle English Literature.

机译:荒野,森林和花园:中古英语文学中的体裁生态理论。

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摘要

"Of Wilderness, Forest, and Garden: An Eco-Theory of Genre in Middle English Literature" proposes a new theory of genre that considers the material elements of the natural environment in Middle English literature composed between 1300-1450 CE. Instead of treating the setting as just a backdrop for human activity, I posit that the components of the environment play a role in the deployment of the narrative by shaping the characters and influencing the action. More than an acknowledgement of the particular natural features, this study explores the role that these components play and how they give us a deeper understanding of the text. This project presents a view of the text that both engages and augments the traditional genre classification, offering a way to study a lesser considered subject in medieval literature---the material world of the setting---by reassessing the genre classification of the texts. By teasing out the material details of the setting, an eco-theory of genre cuts across conventional genres and offers another way to connect medieval texts. I argue that, instead of romance, Breton Lai, ballad, and fabliau, the texts examined in this dissertation are wilderness, forest, or garden poems. The eco-theory of the genre wilderness sees the adversarial elements in an untamed environment. The forest genre is a space of rules and regulations that circumscribe the environment and, in turn, manage the resources found there. The genre of the garden focuses on the conflict between what is manmade and what is natural and considers which of these is more real. By thoroughly investigating the representations of material nature within certain Middle English texts, such as Sir Gawain and the Green Knight, The Geste of Robyn Hode, and "The Franklin's Tale" from The Canterbury Tales, it is the aim of this dissertation to demonstrate that medieval people negotiated the divide between the philosophy of nature and the lived experience of nature through literature.
机译:“旷野,森林和花园:中古英语文学的一种生态理论”提出了一种新的体裁理论,其中考虑了公元1300-1450年间中古英语文学中自然环境的物质要素。我认为环境不是构成人类活动的背景,而是通过塑造角色和影响动作来在叙事的部署中发挥作用。这项研究不仅仅是对特定自然特征的认识,它还探索了这些成分所起的作用以及它们如何使我们对文本有更深入的了解。该项目展示了既吸引又丰富了传统流派分类的文本视图,通过重新评估文本的流派分类,为研究中世纪文学中较少考虑的主题(环境的物质世界)提供了一种方法。通过戏弄背景的物质细节,一种流派的生态理论突破了传统流派,并提供了另一种连接中世纪文字的方式。我认为,本论文研究的文本不是旷野,布莱顿,民谣和fabliau,而是荒野,森林或花园诗,而不是浪漫史。流派荒野的生态理论在不受限制的环境中看到了对抗性元素。森林类型是规章制度的空间,它限制了环境并反过来管理那里的资源。花园的风格侧重于人造与自然之间的冲突,并考虑其中哪个更真实。通过深入研究某些中古英语文本中的物质性质表示,例如加文爵士和格林骑士,罗宾·霍德的《格斯特》和《坎特伯雷故事》中的“富兰克林的故事”,本论文旨在证明这一点。中世纪的人们通过文学就自然哲学与自然生活经验之间的分歧进行了谈判。

著录项

  • 作者

    Bolt, Barbara Lee.;

  • 作者单位

    University of South Carolina.;

  • 授予单位 University of South Carolina.;
  • 学科 English literature.;Philosophy.;Medieval literature.
  • 学位 Ph.D.
  • 年度 2015
  • 页码 186 p.
  • 总页数 186
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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