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Choke artists and clutch performers: A Critical Interpretive Synthesis.

机译:扼流圈艺术家和关键表演者:关键的解释性综合。

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摘要

The colloquial phrases "choke artist" and "clutch performer" are used to refer to individuals who have a tendency to falter or excel, respectively, when performing under pressure conditions. The objective of this study was to conduct a broad survey of the extant literature on the topic of performance under pressure and to offer a Critical Interpretive Synthesis (CIS) of that literature. The output of this project was multi-faceted and included an organized exposition and coarse-grained critical analysis of the literature on performance under pressure, an interpretive synthesis containing multiple suggestions for improving the literature base, and a reflexive account of the experimental use of the CIS methodology.;The critical analysis centered on a critique of the field's predominantly positivistic approach, which has produced a fragmented and ambiguous literature pervaded by enduring difficulties across the domains of conceptualization, research, theory, and practice. The interpretive synthesis was subsequently organized around the theme of advocating for a more balanced and integrative approach to both inquiry and intervention that honors the inevitable role of subjectivity in the pressure-performance relationship.;Specific suggestions for improving the literature base included incorporating a subjective self-assessment component into the operational definition of choking, complementing experimental studies with more qualitative and mixed-methods research, constructing interactional theories of choking that consider the important role of context and meaning-making, and treating athletes and performers more holistically by focusing on personal development and overall well-being in addition to teaching psychological skills.;Perhaps the most provocative suggestion to emerge from the present synthesis is that, as part of a more integrative and holistic approach to psychological training for sport and performance, the Western academic and applied sport psychology communities should begin to look beyond the relaxation and concentration benefits of Eastern mindfulness practices in order to bring into view the potentially broader benefits of the ego-transcendent functions of the spiritual traditions from which these practices derive.
机译:口语短语“扼杀艺术家”和“离合器表演者”用于指代在压力条件下表演时容易动摇或表现出色的个人。这项研究的目的是对现有文献进行广泛的调查,以探讨在压力下的表现,并提供对该文献的批判性解释综合(CIS)。该项目的成果是多方面的,包括对压力表现的文献的有组织的论述和粗粒度的批判性分析,包含改善文献基础的多种建议的解释性综合以及对实验性使用的反思。独联体方法论:批判性分析集中于对该领域主要是实证主义方法的批评,该方法产生了零散而模棱两可的文献,这些文献遍历了概念化,研究,理论和实践的各个领域。解释性综合随后围绕倡导对询问和干预采取更加平衡和综合的方法的主题进行组织,以表彰主观性在压力-绩效关系中不可避免的作用。;改善文献基础的具体建议包括纳入主观自我评估作为窒息活动定义的组成部分,以更具定性和混合方法的研究来补充实验研究,构建考虑情景和意义创造的重要作用的窒息互动理论,并通过着重于个人来全面对待运动员和表演者发展能力和整体幸福感,以及传授心理技能。也许从目前的综合中得出的最具有启发性的建议是,作为体育和表演心理训练的一种更综合和整体的方法的一部分,西方学者和应用运动心理学界应该开始超越东方正念习俗的放松和集中收益,以便从这些习俗起源的精神传统的自我超越功能中获得潜在的广泛利益。

著录项

  • 作者

    Schroerlucke, David.;

  • 作者单位

    California Institute of Integral Studies.;

  • 授予单位 California Institute of Integral Studies.;
  • 学科 Psychology Clinical.;Spirituality.;Health Sciences Recreation.;Psychology Industrial.
  • 学位 Psy.D.
  • 年度 2015
  • 页码 243 p.
  • 总页数 243
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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