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To 'cleanse the foul body o' th' infected world': The fool and therapy.

机译:为了“清洗被感染世界的肮脏身体”:傻瓜和治疗。

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摘要

According to writers of fool literature, "the number of fools is infinite." They are infinite because folly takes many forms, and all humans engage in it. In times of great transition it is especially easy to imagine man as a fool. But the fool is not always simple. On the contrary, the fool can embody opposites and can himself be a figure of transition, a catalyst of sorts. The fools this dissertation focusses on are such figures of transition. They appear in times of transition-times such as the Renaissance and psychotherapy-and they facilitate transition in others. This dissertation examines the figure of the fool as a therapeutic agent.;Chapter One investigates the appearance and tradition of the Renaissance humanist wise-fool. With antecedents in the figure of Socrates and in Sacred Scripture, the Renaissance humanist wise-fool is a therapeutic response to folly; the fool acts in a corrective manner, restoring balance, mystery, reverence, humility, and humanity to a bold, scholastic Renaissance Europe. Examining fools and folly in works by Petrarca, Nicholas of Cusa, Erasmus, Rabelais, and More, we observe the fool as a therapeutic agent.;The observations of Chapter One are supported in Chapter Two through a careful reading of Shakespeare's major fool plays. We find that the fool deconstructs language; he pushes language to its limits, reconnects us to the psychic fundaments of language, and through the joke identifies the coagulations of meaning and emotion to which he is present.;Chapter Three demonstrates how modern psychotherapy embodies the learned ignorance of the fool. In the learned ignorance of the wise-fool, we find a style of therapeutic interaction remarkably similar to those of several third force approaches (van den Berg, Rogers, vam Kaam). As well, in depth psychologies the conditions which set the stage for the appearance of the Renaissance humanist fool are once again present. It is this author's contention that the psychotherapist and humanist fool have much in common: both are educative figures whose concerns are the mysterious, and who operate under a system of repression, making sensible the nonsensible.
机译:根据傻瓜文学作家的说法,“傻瓜的数量是无限的”。它们是无限的,因为愚蠢有多种形式,并且所有人都参与其中。在过渡时期,将人想象成一个傻瓜尤其容易。但是傻瓜并不总是那么简单。相反,傻瓜可以体现出对立面,并且自己可以成为过渡人物,各种催化剂。本文所关注的傻瓜就是这样的过渡人物。它们出现在诸如文艺复兴时期和心理治疗之类的过渡时期,并且促进了其他时期的过渡。本文研究了愚人作为治疗剂的形象。第一章探讨了文艺复兴时期人文主义愚人的出现和传统。在苏格拉底的人物和《圣经》中都有先行者,文艺复兴时期的人文主义愚人是对愚蠢的一种治疗反应。傻瓜以纠正的方式行事,将平衡,神秘,尊敬,谦逊和人性还原为大胆,学术性的文艺复兴欧洲。通过检查彼得拉卡,库萨的尼古拉斯,伊拉斯姆斯,拉贝莱伊斯等人的作品中的愚人和愚蠢,我们观察到这种愚人是一种治疗剂。通过仔细阅读莎士比亚的主要愚人戏剧,在第二章中支持了第一章的观点。我们发现傻瓜会解构语言。他将语言推向了极限,使我们重新认识语言的心理基础,并通过玩笑来识别出他所处在的意义和情感的凝结。第三章证明了现代心理疗法如何体现了对傻子的无知。在对愚人的愚昧无知中,我们发现一种治疗相互作用的风格与几种第三种力量(van den Berg,Rogers,vam Kaam)非常相似。同样,在深度心理学中,再次出现了为文艺复兴时期的人文主义愚人出场打下基础的条件。作者的论点是,心理治疗师和人文主义者的愚人有很多共同点:他们都是教育人物,其关注点是神秘的,并且在压制之下运作,从而使理智变得不理智。

著录项

  • 作者

    Spillane, Brian Albert.;

  • 作者单位

    University of Dallas.;

  • 授予单位 University of Dallas.;
  • 学科 Clinical psychology.;Comparative literature.
  • 学位 Ph.D.
  • 年度 1990
  • 页码 303 p.
  • 总页数 303
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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