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Music for three or more pianists: An historical survey and catalogue.

机译:三个或三个以上钢琴家的音乐:历史调查和目录。

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摘要

A fascinating, albeit generally unknown area in the literature for keyboard ensemble is the evolution of a remarkably large repertoire--original and transcribed--for three or more pianists at one or more keyboards with or without other acoustic and electronic instruments and/or singers.;The history of keyboard music for three or more players was initiated c. 1730 by J. S. Bach, who transcribed two concertos for three harpsichords and one for four. As well as duet and two-fortepiano works, Mozart pioneered original team piano repertoire. The "Lodron" Concerto, K. 242, was scored for three fortepianos and orchestra. Original compositions for three or more pianists continued to be written--with Czerny, Kalkbrenner, Moscheles, Smetana, Glazunov and Rachmaninov--for particular pianists and occasions.;Louis Moreau Gottschalk, one of Berlioz's proteges, liked to use a large number of pianos and pianists for his popularly acclaimed monster concerts in the Americas, attended by assemblages of thousands. Percy Grainger not only had an important role to play in the transition of the monster concert to the prototypes of the twentieth century, but his abundant arrangements for beginner to advanced piano teams also set a pedagogical precedent for class piano instruction.;By the early twentieth century, a mass of transcriptions/arrangements had accumulated. These works were an effective way for most pianists to familiarize themselves with the rarely heard orchestral literature. Before the invention of the radio and phonograph, it was once a standard practice for publishers to issue orchestral and chamber music repertoire for four, six, eight or more hands at one or more pianos.;As the transcription tide receded original works for the medium became more important in the twentieth century with Ives, Ravel, Stravinsky, Antheil, Orff, Dallapiccola and Milhaud, among others. An astonishingly rich repertoire of original compositions for three or more pianists by other reputable composers of the twentieth century has come into existence.
机译:有趣的,尽管在文献中键盘合奏领域通常是未知的领域,是三个或多个钢琴家在一个或多个键盘上使用或不使用其他声学和电子乐器和/或歌手的情况下,三个或多个钢琴演奏家的原始曲目和转录曲目的巨大变化。 。;启动了三个或更多演奏者的键盘音乐历史c。 J. S. Bach于1730年录制了两首协奏曲,其中三首大键琴和一首四首。除了二重奏和两首四重奏作品,莫扎特还开创了原创团队钢琴曲目。 K. 242号的“ Lodron”协奏曲获得了三支长钢琴和管弦乐队的演奏。继续为三位或三位以上钢琴家撰写原始作品-切尔尼,卡尔贝克伦纳,摩斯切尔,斯美塔那,格拉祖诺夫和拉赫玛尼诺夫-为特定的钢琴家和场合而写。钢琴和钢琴演奏家为他在美洲广受赞誉的怪兽音乐会,有成千上万的人参加。珀西·格兰杰(Percy Grainger)不仅在将怪兽音乐会转变为20世纪原型音乐的过程中发挥了重要作用,而且他为初学者到高级钢琴队的大量安排也为课堂钢琴教学树立了教学先例。世纪,大量的抄写/安排已经积累。这些作品是大多数钢琴家熟悉罕见的管弦乐队文学的有效途径。在收音机和留声机问世之前,出版商曾经发行标准的作法是发行一首或多首钢琴中的四,六,八或更多只手的管弦乐和室内乐曲目;随着转录浪潮的消退,该媒介的原创作品得以发行。在20世纪,Ives,Ravel,Stravinsky,Antheil,Orff,Dallapiccola和Milhaud等人变得更加重要。二十世纪其他著名作曲家为三位或三位以上钢琴家创作的原始曲目令人惊讶地丰富。

著录项

  • 作者

    Maxwell, Grant L.;

  • 作者单位

    University of Alberta (Canada).;

  • 授予单位 University of Alberta (Canada).;
  • 学科 Music.
  • 学位 D.Mus.
  • 年度 1992
  • 页码 327 p.
  • 总页数 327
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 老年病学;
  • 关键词

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