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Hans Hofmann and Josef Albers: The significance of their examples as artist-teachers.

机译:汉斯·霍夫曼(Hans Hofmann)和约瑟夫·阿尔伯斯(Josef Albers):他们的榜样作为艺术家-老师的意义。

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摘要

Combining college teaching with art-making is a popular career choice for artists; however, there are difficulties in managing this dual career successfully. Therefore, there is a need to train the artist to function as a teacher in the contemporary American university setting. My thesis addresses this problem and attempts to find useful suggestions for artist-teachers on the college level.;I made a pedagogical and historical analysis of Hans Hofmann's and Josef Albers's dual careers as artist-teachers to see how they dealt with the practical problems of teaching. I discuss four aspects of their careers: teaching, art-making, exhibiting, and writing. I compare their pedagogy of art, including specific methods, diagrams, visual aids, and student accounts, along with relevant biographical data, and their teacher-student relationships. Through a pedagogy of learning, Albers and Hofmann explored their own aesthetic problems alongside students.;The lesson to be learned from Hofmann and Albers is to use your imagination and talent to solve environmental as well as the formal problems of art. Teaching for both supplied an arena for investigating ideas, structure and a support system, and professional status. Although they chose different teaching structures in line with their personalities, they both came up with creative strategies to make teaching worthwhile, an integral part of the artist's career.;Since knowing and creating are both activities requiring discipline, imagination, and insight, the university environment is not necessarily inhospitable to artists. Today, the university is a primary site for the best intellectual and creative minds, offering remarkable resources. The key, for the university, is to welcome and appreciate the creative artist. For artists, it is important to protect artistic freedom, while making the classroom a vital experience for both teacher and student.;My study may suggest ways to better the art education system and (perhaps) to raise the status of teachers and improve the quality of education in America.
机译:大学教学与艺术创作相结合是艺术家的一种流行职业选择。但是,成功地管理双重职业是有困难的。因此,需要训练艺术家在当代美国大学环境中担任教师。我的论文解决了这个问题,并试图为大学老师提供有益的建议。;我对汉斯·霍夫曼(Hans Hofmann)和约瑟夫·阿尔伯斯(Josef Albers)兼任老师的双重职业进行了教学和历史分析,以了解他们如何处理教学。我讨论了他们职业的四个方面:教学,艺术创作,展览和写作。我比较了他们的艺术教学法,包括特定的方法,图表,视觉辅助工具和学生帐户,以及相关的传记资料和他们的师生关系。通过学习教学法,阿尔伯斯和霍夫曼与学生们一起探索了自己的美学问题。从霍夫曼和阿尔伯斯学到的教训是利用您的想象力和才华来解决环境以及形式上的艺术问题。两者的教学为研究思想,结构和支持系统以及专业地位提供了场所。尽管他们根据自己的个性选择了不同的教学结构,但他们都提出了创造性的策略来使教学变得有价值,这是艺术家职业的一个组成部分。由于认识和创造都是需要纪律,想象力和洞察力的活动,因此大学环境不一定对艺术家好客。如今,该大学已成为拥有卓越知识和创造力的顶尖人才的基地,并提供了卓越的资源。对于大学来说,关键是要欢迎和欣赏这位创意艺术家。对于艺术家而言,重要的是保护艺术自由,同时使课堂成为师生的重要体验。;我的研究可能会提出改善美术教育体系和(也许)提高教师地位并提高质量的方法。在美国的教育。

著录项

  • 作者

    Cho, Jennifer Myungsook.;

  • 作者单位

    Teachers College, Columbia University.;

  • 授予单位 Teachers College, Columbia University.;
  • 学科 Art education.;Biographies.
  • 学位 Ed.D.
  • 年度 1993
  • 页码 199 p.
  • 总页数 199
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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