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Cinderella imagery in the fiction of Kurt Vonnegut.

机译:库尔特·冯内古特(Kurt Vonnegut)小说中的灰姑娘形象。

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摘要

This study of Kurt Vonnegut's fiction traces the evolution of the author's use of the Cinderella myth and its message of feminine subservience. In the Cinderella tale the persecuted heroine traditionally enjoys gifts from a fairy godmother followed by a calamitous reversal of fortune wrought at the stroke of midnight. Rescue or rejuvenation are depicted through marriage to a wealthy prince.;Characters examined in this light include Beatrice Rumfoord in The Sirens of Titan (1959); Resi Noth in Mother Night (1961); Mona Monzano in Cat's Cradle (1963); Mary Kathleen O'Looney in Jailbird (1979); Celia Hoover in Deadeye Dick (1982); and Marilee Kemp in Bluebeard (1987).;Applying the Cinderella motif to Vonnegut's work illuminates the motivations and revelations of female characters who re-order their worlds through a refusal to accept conventional meanings. They reject the obligations of motherhood, abandon marriage, assume false or reclusive identities and seek to subvert the course society maps for them. Their varied responses demonstrate ways women may be degraded and transfigured by dehumanizing social expectations.;In anticipation of a Cinderella outcome, the reader is led to recognize the sad logic of fairy tale events re-cast in contemporary terms. Here characters refute the belief that goodness results in reward and instead experience profound dissatisfaction. It is this expectation and its contradiction that provides the fulcrum for analysis of Vonnegut's application of fairy tale language and thought.;This study further demonstrates ways Vonnegut's female characters enact and re-invent the Cinderella figure through parody, word play, regression, the breakdown of temporal organization, and gaming. Close study of the women themselves provides a framework for demonstrating the power of myth to represent and resist constrictive social roles, moving from depictions of women based on their physical attributes and focusing on inner worth, creativity and psychic wholeness.
机译:对库尔特·冯内古特(Kurt Vonnegut)小说的研究追溯了作者对灰姑娘神话的运用及其对女性忠诚的信息的演变。在灰姑娘的故事中,受迫害的女主人公传统上是从一位仙女教母那里得到礼物,然后在午夜时分发生一次灾难性的命运逆转。通过与一个富裕的王子结婚来描绘抢救或复兴。从这个角度来看,这些人物包括《泰坦的警笛》(1959年)中的比阿特丽斯·鲁姆佛德; 《母亲之夜》中的Resi Noth(1961); 《猫的摇篮》中的蒙娜·蒙扎诺(1963);玛丽·凯瑟琳·奥卢尼(Mary Kathleen O'Looney)(1979年);西莉亚·胡佛(Celia Hoover),《死眼的迪克》(1982);以及《蓝胡子》中的玛丽莉·坎普(Marilee Kemp)(1987年)。将灰姑娘图案运用到冯内古特的作品中,阐明了女性角色的动机和启示,这些女性通过拒绝接受传统意义来重新排列自己的世界。他们拒绝承担母亲的义务,放弃婚姻,承担假的或隐居的身份,并试图颠覆他们的社会路线图。他们各种各样的反应表明,通过降低人性化的社会期望,妇女可能会沦落和变脸。;预期灰姑娘的结局,会使读者认识到童话故事事件以现代方式重现的可悲逻辑。在这里,人物反驳了善良会带来回报的信念,反而引起了极大的不满。正是这种期望及其矛盾为分析冯内古特在童话语言和思想中的应用提供了支点。这项研究进一步证明了冯内古特的女性角色是如何通过模仿,文字游戏,回归,分解来模仿和重塑灰姑娘形象的。时间组织和游戏。对女性本身的仔细研究提供了一个框架,用以展示神话代表和抵制狭窄的社会角色的力量,它从基于女性身体特征的描绘开始,着重于内在价值,创造力和心理整体性。

著录项

  • 作者

    Pendleton, Edith Kay.;

  • 作者单位

    University of South Florida.;

  • 授予单位 University of South Florida.;
  • 学科 Literature Modern.;Literature American.
  • 学位 Ph.D.
  • 年度 1993
  • 页码 150 p.
  • 总页数 150
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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