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'And They Lynched Him On A Tree': A critical analysis.

机译:“他们把他绑在一棵树上”:一项批判性分析。

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摘要

The end of the Civil War and the ratification of the Thirteenth Amendment freeing the slaves meant, at least in theory, that these newly freed individuals could begin to make the transition toward integration into American society as full citizens. White citizens opposed to the abolition of slavery were determined to assert their dominance and control and did so through a series of violent measures and discriminatory laws. Lynching was a primary way to demonstrate power and incite fear in Black communities. Anti-lynching campaigns supported by both Black and White citizens took root in response to the violence. While literary and visual protest art that protested lynching seemed to flourish, there were surprisingly few musical counterparts. Despite years of what seemed like no hope for the resolution of racial turmoil and no models on which to base such a piece, William Grant Still and Catharine Garrison Chapin broke new ground by creating And They Lynched Him On A Tree, the first piece of concert music that protests lynching.;This dramatic choral work for orchestra and racially divided choirs was well-received at its premiere, but the provocative title, intense subject matter, and atypical vocal forces have rendered it a less than desirable piece for performance. Its message is evermore resonant in today's sensitive climate of race relations, social injustice, and perceived police brutality. And They Lynched Him On A Tree deserves to be performed not as a "token" work by an African American, but as a well-crafted American masterpiece and a plea for justice and peace. This study will present the historical and social context in which the work was composed; explore prominent artistic contributions to the anti-lynching campaign of the 1920s and 1930s; discuss the creative forces that merged to create this groundbreaking work; give a structural overview of the text and musical ideas; and provide suggestions that address some inherent performance and programming challenges.
机译:内战的结束和第十三修正案的批准使奴隶获得了解放,至少从理论上讲,这意味着这些新获解放的个人可以开始向以全民身份融入美国社会的过渡。反对废除奴隶制的白人公民决心通过一系列暴力措施和歧视性法律来主张自己的统治和控制权。 Lynching是在黑人社区中展示力量和煽动恐惧的主要方式。为应对暴力事件,由黑人和白人公民共同支持的反私刑运动扎根。抗议私刑的文学和视觉抗议艺术似乎蓬勃发展,但令人惊讶的是,音乐上却很少。尽管多年来似乎对种族动荡的解决没有希望,也没有任何模型可以作为基础,但是威廉·格兰特·斯蒂尔(William Grant Still)和凯瑟琳·加里森·查平(Catharine Garrison Chapin)还是通过创作《他们把他放在树上》开创了新的开端。抗议私刑的音乐。这种为乐团和种族分裂的合唱团创作的戏剧性合唱作品在首演时就广受好评,但挑衅的标题,强烈的主题和非典型的声乐使其成为表现欠佳的作品。在当今种族关系,社会不公正和警力暴行的敏感气氛中,它的信息越来越响亮。而且,他们不应该把他紧紧绑在树上,而不是作为非裔美国人的“象征”作品,而是作为美国精心制作的杰作和对正义与和平的呼吁。这项研究将介绍作品的历史和社会背景。探索对1920年代和1930年代的反偷渡运动的杰出艺术贡献;讨论合并创造这项突破性工作的创造力;对文本和音乐思想进行结构性概述;并提供解决一些固有性能和编程挑战的建议。

著录项

  • 作者

    Williams, Brandon.;

  • 作者单位

    Michigan State University.;

  • 授予单位 Michigan State University.;
  • 学科 Music.;Black history.;African American studies.
  • 学位 D.M.A.
  • 年度 2016
  • 页码 54 p.
  • 总页数 54
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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