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Individual destinies in a turbulent world: Voice and vision in two of Lao She's novels.

机译:动荡世界中的个人命运:老舍的两本小说中的声音和视觉。

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摘要

This dissertation will examine the narrative characteristics and thematic design of Lao She's (1899-1966) masterpiece Camel Xiangzi (Luotuo xiangzi, (1936, 1939) and Four Generations under One Roof (Sishi tongtang, (1944-46). Some basic issues regarding both novels' thematic design remain unresolved in the case of Camel Xiangzi, and unexamined, in the case of Four Generations. The present study intends to address these unresolved issues and to uncover the thematic designs of both novels. New approaches to the narrative discourse, "focalization" (vision) and personal narration (voice and vision), and "dialogism," are adopted from French narratologist Gerard Genette and Russian critic M. M. Bakhtin for the first time in Lao She studies. Such an approach will demonstrate how Lao She's narrative strategies constitute an essential part of the thematic design. The conflicting forces depicted in both novels, which can be summarized as high external pressure vs. the individual's inner strength will be revealed to be, in fact, intricately integrated, signifying a higher level of order about individuals' destinies in a turbulent world.In Camel, an extremely centralized organization serves to highlight the cruel forces that individual's face, and simultaneously to intensify a sense of the individual's responsibility. The composition of the novel reaches such an intricate tightness that almost every diegetic event acquires an irreplaceable quality, and each major character's vision and perspective becomes an essential constituent in the thematic design.In Four Generations, a decentralized and synchronic diegetic structure is contrasted to and ultimately regimented by a central meditative consciousness, that of a thematically central character, Xuan's voice. The Four Generations narrator's view of the individual's destiny differs from that of earlier novels, such as Camel. In Four Generations, an individual's power and efforts are conceived as much more confined and community oriented. The individual can only function under the community superstructure if he/she is going to remain a social being, and, the communal fate is a result of individuals' conduct and particularly individuals' consciousness.
机译:本论文将探讨老舍(1899-1966)的杰作《骆驼祥子》(骆驼祥子,(1936,1939)和《四世同堂》(四通堂,1944-46))的叙事特征和主题设计。对于骆驼祥子来说,这两部小说的主题设计都没有得到解决;对于四代小说,这两种小说的主题设计都没有得到解决。本研究旨在解决这些悬而未决的问题,并揭示这两种小说的主题设计。法国叙事学家杰拉德·吉内特(Gerard Genette)和俄罗斯评论家MM巴赫金(MM Bakhtin)首次在老舍研究中采用“聚焦”(视觉)和个人叙事(声音和视觉)以及“对话”,这种方法将展示老舍的叙事方式策略是主题设计的重要组成部分,两本小说中描述的冲突力都可以概括为外在压力与个人内在力量的关系实际上,它被揭示为错综复杂的整合,意味着在动荡的世界中人们的命运得到了更高层次的控制。在骆驼中,一个高度集中的组织可以突出个人面部的残酷力量,同时也可以增强一种感觉。个人的责任。小说的构成达到了如此复杂的严密性,几乎每一个营养不良事件都获得了不可替代的品质,每个主要角色的视野和观点成为主题设计中必不可少的组成部分。在《四代》中,分散而共时的营养不良结构与最终由中央冥想意识(主题的中心人物,玄的声音)组成。四代叙事者对个人命运的看法与诸如骆驼之类的早期小说有所不同。在“四代人”中,个人的力量和努力被认为更加局限且面向社区。个人只有在保持社会存在的情况下才能在社区上层建筑下运作,而公共命运是个人行为尤其是个人意识的结果。

著录项

  • 作者

    Gu, Jingyu.;

  • 作者单位

    The University of Texas at Austin.;

  • 授予单位 The University of Texas at Austin.;
  • 学科 Literature Modern.Literature Asian.
  • 学位 Ph.D.
  • 年度 1995
  • 页码 285 p.
  • 总页数 285
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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