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Language and sense discrimination in ancient China.

机译:中国古代的语言和感觉歧视。

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The dissertation examines the intersection of language and sense discrimination in the texts of classical Chinese philosophy (with separate chapters on Laozi, Xunzi, Mencius, the NeoMohist Canons and Zhuangzi). Through an analysis of the figures of speech related to language and sense discrimination, it argues that the pair 'aural and visual' forms a significant dualism within the Chinese cosmos.;The significance of the aural/visual dualism is threefold. First, it clarifies classical Chinese epistemology. The dissertation argues that classical Chinese epistemology is a matter of matching many levels of parallels between the aural and the visual. In other words, knowledge in classical China is verified through correspondences between the aural and visual.;Second, the aural/visual dualism challenges a common assumption that in classical China sense discrimination is natural while language is conventional. The aural and visual are two aspects of sense discrimination, but they are also two aspects of language. That is, the category 'language' extends over both sides of the dualism. It is both aural (heard as speech) and visual (seen as writing). As a result, the contrast of 'language as conventional' in opposition to 'sense discrimination as natural' does not develop in classical China. Both language and sense discrimination are to some extent both natural and conventional.;Thirdly, the importance of the aural and visual is connected to the pair ming/shi. Ming/shi is typically translated 'names and reality' or 'names and objects' on the assumption that shi is more substantial and therefore more real. But as a form of the aural/visual dualism, there seems to be no justification for taking shi as 'reality'. Shi is what is seen by the eyes, just as ming is what is heard by the ears, but neither appears more intrinsically 'real'. Thus, the dissertation argues that in light of the aural/visual dualism we must reconsider what constitutes the notion of reality in classical China.
机译:本文研究了中国古典哲学文本中的语言和感官歧视的交集(有关老子,X子,孟子,新墨家教规和庄子的单独章节)。通过对与语言和感觉歧视有关的修辞格的分析,认为“听觉和视觉”对在中国宇宙中形成了重要的二元论。;听觉/视觉二元论的意义是三重的。首先,它阐明了中国古典认识论。论文认为,中国古典认识论是对听觉和视觉之间许多相似之处的匹配。换句话说,古典中国的知识是通过听觉和视觉之间的对应关系来验证的。第二,听觉/视觉二元论挑战了一个共同的假设,即在古典中国,歧视是自然而语言是传统的。听觉和视觉是感觉歧视的两个方面,但它们也是语言的两个方面。也就是说,“语言”类别在二元论的两面都延伸。它既是听觉的(作为语音听到的)又是视觉的(作为写作可见的)。结果,在古典中国,“传统的语言”与“自然的感觉歧视”的对立并没有形成对比。语言和感官的区别在某种程度上都是自然的和传统的。第三,听觉和视觉的重要性与名/石对有关。 Ming / shi通常在shi更为实质并因此更真实的假设下被翻译为“名称与现实”或“名称与对象”。但是,作为听觉/视觉二元论的一种形式,似乎没有理由将shi视为“现实”。 Shi是人眼所见,就像ming是人耳所见,但两者本质上都不是“真实的”。因此,本文认为,鉴于听觉/视觉二元论,我们必须重新考虑什么构成了古典中国的现实概念。

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