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Thanatos: The hidden side of love. An investigation in the function of Freud's 'Todestrieb' as illustrated in Gabriel Garcia Marquez' 'One Hundred Years of Solitude'.

机译:塔纳托斯人:爱的隐藏面。如加百列·加西亚·马克斯(Gabriel Garcia Marquez)的“一百年孤独”中所阐明的那样,对弗洛伊德的“ Todestrieb”的功能进行了研究。

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摘要

This dissertation describes the opposing but overlapping roles of Eros and Thanatos and their vicissitudes, representing the final version of Freud's theories, which is then used to interpret Garcia Marquez' One Hundred Years of Solitude. Freud's portrayal of life as a series of victories of Eros over Thanatos until the latter prevails is profoundly mythological and solicits religious reflections. Such a reflection, from a Christian Anabaptist Sitz im Leben, constitutes the last part.;Thanatos drives the psyche to seek immediate pleasure through discharging free energies; bringing the organism to death. Eros strives to bind and tame free impulses in accordance with reality; bringing lasting satisfaction. This aligns Thanatos with primary psychological processes, frenetic sexuality, lethargy, and aggression, while Eros precipitates secondary processes, sublimation, working through, love and affection. Should Thanatos overpower Eros, its impulses to primary, frenetic joining until exhaustion, and Thanatos takes over.;For Garcia Marquez' Buendia family, the postponement of pleasure was intolerable. No one faced reality, grieved losses, or worked through their past. Their responses were repression and flight. The vicissitudes of the drives are analyzed in each family member on their circuitous routes to disintegration. Only Aureliano Segundo and Petra sublimated immediate pleasure, worked through the reality of their poverty, and discovered new vigor, love, and contentment.;Freud maintained that sublimation transformed libidinal impulses into aims higher than sexuality, thus coming to the horizons of psychoanalysis. In spiritual reflections, Thanatos parallels the Anabaptist concept of sinful human nature striving towards death with no unmediated escape, while Eros parallels Divine Agape Love, which implodes the human condition with transforming power; enabling one to postpone pleasure and walk in love--even to love one's enemies (a Freudian absurdum). Since the field of psychology encompasses the libidinal drives and their vicissitudes, religious expressions of spirituality can be analyzed, but the spiritual source and content must always remain an absurdum.;Freud dealt with dualities between free and bound psychic energies: first, between self-preserving instincts and drives; second, within the drives themselves; and third, between the life and death drives--which over-arch the former drives without eliminating them.
机译:本文描述了爱神和塔纳托斯人的对立但又相互重叠的角色及其变迁,代表了弗洛伊德理论的最终版本,然后被用来解释加西亚·马尔克斯的《百年孤独》。弗洛伊德将生活描述为爱神在塔纳托斯人之前的一系列胜利,这是对神话的深刻理解,并征求了宗教的反思。基督徒再洗礼家西本·勒本(Sitz im Leben)的这种反思构成了最后一部分。塔纳托斯(Thanatos)驱使心灵通过释放自由能量来寻求即时的愉悦;使生物死亡。爱神努力根据现实束缚和驯服自由的冲动。带来持久的满足感。这使Thanatos与主要的心理过程,狂躁的性行为,嗜睡和侵略相吻合,而Eros促使次要的过程,升华,经历,爱与情感。如果塔纳托斯战胜了爱神,它冲动了主要的疯狂的冲动,直到精疲力尽,然后塔纳托斯接手了。没有人面对现实,遭受严重损失或经历过去。他们的反应是镇压和逃跑。在每个家庭成员的circuit回路线上分析驱动器的变迁。只有奥雷利亚诺·塞贡多和佩特拉升华了直觉的快乐,在贫困的现实中挣扎,并发现了新的活力,爱心和满足感。弗洛伊德坚持认为,升华将性欲冲动转化为高于性欲的目标,从而进入了精神分析的视野。在精神上的反思中,塔纳托斯人将无罪的人性朝着死亡的Anabaptist概念推向了死亡,而没有无中介的逃避,而爱神将神性的爱神爱带给了人类以改变的力量。使一个人推迟享乐并走入爱河-甚至爱一个敌人(弗洛伊德式的荒谬)。由于心理学领域涵盖了性欲驱动及其变迁,因此可以分析宗教信仰的精神表达,但精神来源和内容必须始终是荒谬的。弗洛伊德探讨了自由和束缚的精神能量之间的对偶:维护本能和动力;第二,在驱动器内部;第三,在生与死驱动器之间-在不消除它们的情况下将前者驱动器拱起。

著录项

  • 作者

    Westmeier, Arline M.;

  • 作者单位

    Drew University.;

  • 授予单位 Drew University.;
  • 学科 Psychology Personality.;Literature Latin American.;Religion General.
  • 学位 Ph.D.
  • 年度 1996
  • 页码 153 p.
  • 总页数 153
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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