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In my mother's house: A study of selected works by Ama Ata Aidoo and Buchi Emecheta (Ghana, Nigeria).

机译:在我母亲的房子里:研究阿玛·阿塔·阿伊多(Ama Ata Aidoo)和布奇·埃梅切塔(Buchi Emecheta)(尼日利亚加纳)的精选作品。

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摘要

African women writers openly lament, question, and criticise the neglect of their work; they also attack this neglect through the act of writing. Texts by African women writers seek to reclaim women's marginal positions and show them “as spaces of strength within and between which they fluctuate” (Nfah-Abbenyi 150). Post-colonial theory and most Western feminist theories have so far failed to problematize the position of African women. Through their act of writing these women's texts also provide insight into the ongoing debate in post-colonial-theory and Western feminist theories. In these texts we also see the interrelatedness of the problems that confront women and those that face the continent. The women contemplate an African womanism.; This study looks at texts by Ama Ata Aidoo and Buchi Emecheta, two of Africa's prolific writers. I offer a self-interpellative reading, a reading foregrounded in the “real history” of text and (con)text (Susan Andrade 94). I weave autobiography into my reading; this strategy gives me an approach that does not convey an “un-self-conscious appropriation” (Alcoff 24) of women's experiences. The autobiographical narrative does not only enable me to know the literature I study here through myself and myself through the literature, it also provides me with a “movement toward a politics of location,” (Freedman, Frey and Murphy Zaubar 10), and establishes a link between the personal and the political.; In the Introduction I argue for a critical approach that takes the cultural grounding of texts produced by African women into consideration. Chapter One is an autobiographical reading of Aidoo's No Sweetness Here. Chapter Two is a surveyic reading of Emecheta's Head Above Water and The Joys of Motherhood. This chapter serves as a bridge to my detailed reading of Aidoo's Changes: A Love Story and Our Sister Killjoy in Chapters Three and Four. I demonstrate through the reading of these texts that while these women reclaim space for themselves in African society, they address problems that face the continent as a whole.
机译:非洲女性作家公开哀叹,质疑和批评他们对自己工作的忽视。他们还通过写作行为来攻击这种忽视。非洲女性作家的文章力图恢复妇女的边缘地位,并将其“表现为她们内部和她们之间波动的力量空间”(Nfah-Abbenyi 150)。迄今为止,后殖民理论和大多数西方女性主义理论都未能使非洲妇女的地位受到质疑。通过她们的写作,这些女性著作也为后殖民理论和西方女性主义理论的不断争论提供了见识。在这些文本中,我们还看到了妇女和非洲大陆面临的问题的相互联系。妇女们考虑非洲妇女主义。这项研究着眼于非洲多产的两位作家阿玛·阿塔·阿伊多(Ama Ata Aidoo)和布奇·埃梅切塔(Buchi Emecheta)的著作。我提供一种自我反省式阅读,一种在文本和(上下文)文本的“真实历史”中崭露头角的阅读(Susan Andrade 94)。我把自传写成书。这种策略给了我一种方法,它不能传达女性经历的“非自我意识的占有”(Alcoff 24)。自传体叙事不仅使我能够通过自己了解自己在这里学习的文学作品,而且还可以通过文学自己了解文学作品,它还为我提供了“向地域政治迈进的动力”(Freedman,Frey和Murphy Zaubar 10),并确立了个人与政治之间的联系。在导言中,我主张一种批判性的方法,该方法应考虑非洲妇女撰写的文本的文化基础。第一章是对爱多(Aidoo)的这里没有甜蜜的自传体阅读。第二章是对Emecheta的头上的水母亲的快乐的调查性阅读。本章为我详细阅读第3章和第4章中对Aidoo的更改:爱情故事我们的姐姐Killjoy 的桥梁。我通过阅读这些文本表明,尽管这些妇女在非洲社会中为自己争取了空间,但她们解决了整个非洲面临的问题。

著录项

  • 作者

    Asante, Samuel Yaw.;

  • 作者单位

    University of Calgary (Canada).;

  • 授予单位 University of Calgary (Canada).;
  • 学科 Literature African.; Womens Studies.
  • 学位 Ph.D.
  • 年度 2000
  • 页码 220 p.
  • 总页数 220
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 各国文学;社会学;
  • 关键词

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