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Aaron Douglas and the African American experience: A strategy for culturally sensitive, technologically current, interactive instruction in art.

机译:亚伦·道格拉斯(Aaron Douglas)和非裔美国人的经验:一种对文化敏感,技术最新,互动式艺术指导的策略。

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摘要

A discipline-based, culturally sensitive, interactive, computer-generated curriculum unit focused on the contributions of artist Aaron Douglas in the context of the Harlem Renaissance was developed for and pilot-tested with 89 students enrolled in three computer graphics classes. The study was conducted during the 1999--2000 school year in a North Florida community.;The study examined the effects of a discipline-based interactive instructional program on student knowledge and appreciation of African American artist Aaron Douglas and the Harlem Renaissance time period, with the computer as a medium for learning in that context. Although all students were considered, African American students in particular were targeted in this regard.;A combination of quantitative and qualitative research was used to examine the relationship between three categorical variables and seven quantitative variables. The categorical variables are gender, ethnicity, and grade level and the quantitative variables are art knowledge and appreciation, computer anxiety and competence, learning and cognitive styles, and instructional delivery methods. A focus group was selected from the sample to provide rich qualitative information. The information from this group included interview responses, copies of their imagery, and written responses to qualitative instruments.;A series of lessons supplementary to the interactive unit based on Aaron Douglas was presented to students over a thirty-two week period to prepare students to lower computer anxiety and develop skills prior to treatment. The interactive curriculum unit was presented over a four-week period and was comprised of a multimedia program which provided the content for the unit. A series of lesson plans using a DBAE framework were utilized and students developed a computerized mural which emulated Aaron Douglas' signature style.;In general, the qualitative and quantitative findings indicated the utilization of an interactive, discipline-based, user friendly, computer-based, Afrocentric art curriculum was successful at enhancing student knowledge and appreciation of African American artist Aaron Douglas and the Harlem Renaissance time period, and of the computer as a medium for learning in that context.
机译:针对89名学生,开发了以学科为基础的,文化敏感的,交互式的计算机生成的课程单元,重点关注艺术家亚伦·道格拉斯在哈林文艺复兴时期的贡献,并对该课程进行了试点测试,共有89位学生参加了三个计算机图形学课程。该研究是在1999--2000学年期间在北佛罗里达社区进行的;该研究考察了基于学科的交互式教学计划对非裔美国艺术家亚伦·道格拉斯(Aaron Douglas)和哈林文艺复兴时期的学生知识和欣赏的影响,用计算机作为在这种情况下学习的媒介。尽管考虑了所有学生,但在这方面特别针对非裔美国学生。;结合定量和定性研究,研究了三个分类变量和七个定量变量之间的关系。类别变量是性别,种族和年级,定量变量是艺术知识和欣赏,计算机焦虑和能力,学习和认知方式以及教学方法。从样本中选择了一个焦点小组,以提供丰富的定性信息。该小组提供的信息包括访谈答复,他们的图像副本以及对定性工具的书面答复。;在三十二周的时间里,向学生介绍了一系列基于亚伦·道格拉斯的互动单元的补充课程,以帮助学生准备降低计算机焦虑并在治疗之前发展技能。交互式课程单元为期四个星期,由一个多媒体程序组成,该多媒体程序为单元提供了内容。利用了一系列使用DBAE框架的课程计划,学生们开发了计算机化的壁画,模仿了亚伦·道格拉斯的签名风格。总的来说,定性和定量的研究结果表明使用了交互式的,基于学科的,用户友好的,计算机化的-以非洲为中心的艺术课程成功地增强了学生对非裔美国艺术家亚伦·道格拉斯(Aaron Douglas)和哈林文艺复兴时期以及计算机在此背景下学习的知识的认识和欣赏。

著录项

  • 作者

    Proctor, Marilyn.;

  • 作者单位

    The Florida State University.;

  • 授予单位 The Florida State University.;
  • 学科 Education Art.;Education Bilingual and Multicultural.;Education Technology of.;Black Studies.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 308 p.
  • 总页数 308
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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