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Changing voices: Teaching the history of rhetoric through film.

机译:改变声音:通过电影讲授修辞史。

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摘要

The dissertation deals in the history of rhetoric, film theory, and a renewed pedagogy empowered by both—demonstrating and encouraging the reprioritization of film as a teaching tool, thereby reconciling the text-based world of higher education and the multi-media driven world outside of academics.; This dissertation depends on varying approaches to metaphor and mythology, and on the many levels of message and meaning which come from these. The Introduction focuses on the tragedies of September 11, 2001 and investigates the roles and influence of media in general, and film specifically, in American society. As Barthes indicates in his Mythologies, these influences are rhetorical: linguistic, symbolic and communicative. They relate stories and events, and create collective senses of society and an individual's place there.; Chapters Two through Four are film-specific. There is the history of rhetoric from its origins (“Aristotle and The Blair Witch Project ”) through its permutations during the Dark Ages, Renaissance and Enlightenment (“3…2…1…Contact”), and into the flowering of voice and message that marks rhetoric's modern age (“Marxism in Cameron's Titanic”). These chapters are demonstrative and theoretical: they mirror moments in rhetoric's history as they prove that film is an effective medium with which to teach that history.; Chapters One and Five address trends in the study of rhetoric and in the evolution of higher-education, from the elite, interactive, self-perpetuating systems they were to the more vast, market-driven, and distanced interactions they now are. Citing critics as wide-ranging as bell hooks, Mikhail Bakhtin, Thomas Kuhn, George Lakoff and Mark Johnson, Walter Ong, Marshall McLuhan, Paulo Freire and Kenneth Burke, and incorporating examples from Aristotle, Miguel de Cervantes, Henry James, and James Joyce, I highlight in these chapters the trend from teaching in the classical, Aristotelian, model, through the changes wrought by World War II, and as the infusion of multimedia resources now alters the purpose and practice of higher education. These highlights are also rhetorical, considerations of how power and influence are communicated, and with film as the next step in this evolution and its ultimate salvation.
机译:论文论述了修辞学,电影理论和由以下两者共同推动的新教学法的历史:展示和鼓励电影作为教学工具的优先化,从而调和了基于文本的高等教育世界和外部的多媒体驱动世界的学者。这篇论文取决于隐喻和神话的变化方法,以及这些隐喻和神话的许多层次的信息和意义。导言着重介绍2001年9月11日的悲剧,并探讨了整个媒体,尤其是电影在美国社会中的角色和影响。正如巴特(Barthes)在他的《斜体神话》中所指出的那样,这些影响是修辞性的:语言的,象征性的和交流性的。它们将故事和事件联系起来,并创造出集体的社会意识和个人在这里的位置。第二章至第四章是特定于电影的。修辞学的起源(“亚里斯多德和布莱尔女巫计划”)到黑暗时代,文艺复兴和启蒙运动(“ 3…2…1… Contact < / italic>”),并成为代表修辞学现代时代的声音和信息的盛放(“卡梅伦的 Titanic 中的马克思主义”)。这些章节是说明性的和理论性的:它们反映了修辞学历史中的时刻,因为它们证明了电影是传授历史的有效媒介。第一章和第五章论述了修辞学和高等教育发展的趋势,从精英的,互动的,自我延续的系统到如今更为广泛的,市场驱动的,距离遥远的互动。米哈伊尔·巴赫金(Mikhail Bakhtin),托马斯·库恩(Thomas Kuhn),乔治·拉科夫(George Lakoff)和马克·约翰逊,沃尔特·翁,马歇尔·麦克卢汉,保罗·弗雷雷和肯尼思·伯克(Kenth Burke)引述了众多评论家,并引用了亚里士多德,米格尔·德·塞万提斯,亨利·詹姆斯和詹姆斯·乔伊斯的例子。在这些章节中,我将重点介绍从经典的亚里士多德模式进行教学到第二次世界大战带来的变化,以及多媒体资源的注入现在改变了高等教育的目的和实践的趋势。这些亮点还具有修辞性,考虑了如何传达力量和影响力,并且电影是这一演变及其最终拯救的下一步。

著录项

  • 作者

    Flood, Timothy Edward.;

  • 作者单位

    The University of North Carolina at Greensboro.;

  • 授予单位 The University of North Carolina at Greensboro.;
  • 学科 Language Rhetoric and Composition.; Cinema.; Education Higher.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 435 p.
  • 总页数 435
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 语言学;电影、电视艺术;高等教育;
  • 关键词

  • 入库时间 2022-08-17 11:46:45

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