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'Emerald Link' for symphonic wind ensemble.

机译:“ Emerald Link”用于交响乐团。

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摘要

Emerald Link is a 10-minute composition scored for symphonic wind ensemble (3 flutes, 3 oboes, 6 clarinets, 3 bassoons-4 saxophones-3 trumpets, 4 French horns, 3 trombones, euphonium, tuba-string bass-timpani, 3-percussion-celesta, piano). The piece is inspired by synaesthetic connections between sound and color developed from the observations of French composer Olivier Messiaen. In a series of interviews with Claude Samuels (Music and Color), he describes his third mode of limited transposition as follows: "horizontally layered stripes: from bottom to top, dark gray, mauve, light gray, and white with mauve and pale yellow highlights-with flaming gold letters, of an unknown script, and a quantity of little red or blue arcs that are very thin, very fine, hardly visible. Dominant are gray and mauve." I was struck by this description of how Messiaen "hears" color or "sees" sound in two ways: first, by its powerful language, and second, by the extreme detail of his auditory vision in which each component of the whole works inherently to form an overall complex of color. These concepts of sound and color are very much alive in the works of the European avant-garde such as George Benjamin, Magnus Lindberg and the late Gerard Grisey, a body of work less popular in most of the United States, which has been performed a great deal in Los Angeles where Emerald Link was composed. This work is an attempt to integrate the coloristic thinking suggested by the above passage into my own musical vocabulary.;In Emerald Link, musical elements combine to form a shifting palette of sound-color controlled by register. For instance, some rhythmic devices become diminished as they occur higher in the register. In cases where larger voicings were necessary to strengthen the impact, traditional octave doublings were replaced with major sevenths, minor ninths or microtonal intervals, displaced by one or two octaves. This enrichment to the harmony added to the overall sound-color of the work. Emerald Link is in four continuous sections, each section corresponds roughly to proportions derived from the golden mean.
机译:Emerald Link是一个10分钟的乐曲,其乐谱为交响乐团(3个长笛,3个双簧管,6个单簧管,3个大鼓4萨克斯风,3个小号,4个圆号,3个长号,次中音,大号弦低音定音鼓,3个打击乐-celesta,钢琴)。该作品的灵感来自于法国作曲家奥利维尔·梅西亚恩(Olivier Messiaen)的观察所产生的声音和色彩之间的联觉联系。在对克劳德·塞缪尔(Claude Samuels,音乐和色彩)的一系列采访中,他描述了他的有限转置的第三种模式,如下所示:“水平分层的条纹:从底部到顶部,深灰色,淡紫色,浅灰色和白色,淡紫色和淡黄色突出显示-燃烧的金色字母,未知的脚本以及大量的红色或蓝色弧形,非常细,非常细,几乎看不见。主要是灰色和淡紫色。关于Messiaen如何以两种方式“听到”色彩或“看到”声音的描述令我感到震惊:第一,其强大的语言表达;其次,其听觉视野的极致细节,其中,每个组成部分固有地工作于形成整体色彩。这些声音和色彩的概念在欧洲前卫的作品中非常活跃,例如乔治·本杰明,马格努斯·林德伯格和已故的杰拉德·格里西(Gerard Grisey),这些作品在美国大部分地区都不太流行,组成Emerald Link的洛杉矶非常多。这项工作是试图将以上段落所提出的色彩思维整合到我自己的音乐词汇中。在《翡翠链接》中,音乐元素结合在一起,形成了由音调控制的变化的音色调色板。例如,某些有节奏的设备会随着它们在寄存器中的出现而变小。如果需要更大的声音来增强效果,则将传统的八度音阶加倍替换为大七度音阶,次九分音阶或微音阶间隔,并以一或两个八度音阶取代。这种丰富的和谐感增加了作品的整体音色。 Emerald Link分为四个连续部分,每个部分大致对应于从黄金均值得出的比例。

著录项

  • 作者

    Kennedy, John M.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2002
  • 页码 38 p.
  • 总页数 38
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 音乐;
  • 关键词

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