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Neither rock nor refuge: American encounters with Nietzsche and the search for foundations

机译:既不是岩石也不是避难所:美国人与尼采的遭遇以及基金会的寻求

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This dissertation traces the career of Friedrich Nietzsche's image and ideas in late nineteenth- and early twentieth-century American thought and culture. Beginning with Nietzsche's earliest American readers at the turn of the last century, I examine the ways in which Americans were influenced by his critique of universal truth. Nietzsche's charges against Enlightenment rationality, his arguments for the human origins of all thought and beliefs, and his pronouncement that "God is dead" compelled many Americans to question the nature and integrity of their religious ideals and moral commitments. In addition, this dissertation examines how Nietzsche's exaltation and perceived embodiment of the heroic individual influenced the work and self-image of many American intellectuals and writers. My study canvasses the varied uses Americans made of Nietzsche, including the creative appropriation of Nietzsche's anti-Christian thought by religious moderns, the romantic longing among artists to emulate Nietzsche's poetic genius, Nietzsche's influence on early twentieth-century cultural criticism, and the debates surrounding his "Ubermensch" ideal during World War I. Drawing from a variety of encounters with Nietzsche, I argue that Americans came to view his life and thought as an expression of the promises and perils of living in the modern world without foundations.;Published sources including books and newspaper and magazine articles indicate that Nietzsche captured the imagination of prominent thinkers as well as average Americans. My study focuses accordingly on the connections between the Nietzsche of the elite and the "Nietzschean" of popular culture. Thus my dissertation contributes to the study of culture by demonstrating that it is both desirable and possible to traverse the borders traditionally thought to divide high from popular culture. In addition, my project contributes to the growing desire among American historians to understand the national particularity as well as the transnational scope of ideas and experiences in American life. The history of so-called "European" and "German" thought in America yields a richer understanding of the ways in which Americans have often understood themselves through the lenses of others.
机译:这篇论文追溯了弗里德里希·尼采在19世纪末和20世纪初美国思想和文化中的形象和思想生涯。从上个世纪初的尼采最早的美国读者开始,我考察了美国人受到他对普遍真理的批判所影响的方式。尼采对启蒙理性的指控,对所有思想和信仰的人类起源的辩驳以及对“上帝已死”的宣告迫使许多美国人质疑其宗教理想和道德承诺的性质和完整性。此外,本论文还探讨了尼采的扬升和对英雄个人的感知体现如何影响了许多美国知识分子和作家的作品和自我形象。我的研究探讨了美国人对尼采的各种用途,包括宗教现代主义者对尼采的反基督教思想的创造性使用,艺术家之间对尼采的诗意天赋的浪漫渴望,尼采对二十世纪早期文化批评的影响以及围绕辩论的辩论第一次世界大战期间他的“理想主义”理想。从尼采的各种遭遇中汲取灵感,我认为美国人开始将他的生活和思想视为无基础生活在现代世界中的希望和危险的表达。包括书籍,报纸和杂志在内的文章都表明,尼采抓住了杰出思想家以及普通美国人的想象力。因此,我的研究重点是精英的尼采与大众文化的“尼采”之间的联系。因此,我的论文通过证明跨越传统上认为与大众文化区分开来的边界既是可取的也是可能的,从而为文化研究做出了贡献。此外,我的项目有助于美国历史学家不断增长的了解民族特质以及美国人生活中思想和经验的跨国范围的愿望。在美国,所谓的“欧洲”和“德国”思想的历史使人们对美国人经常通过他人的眼光理解自己的方式有了更深刻的理解。

著录项

  • 作者单位

    Brandeis University.;

  • 授予单位 Brandeis University.;
  • 学科 American history.;Philosophy.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 297 p.
  • 总页数 297
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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