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Creation, Crisis, and Comedy: An Ecocritical Reading of the Eden Story, Joel, and Jonah.

机译:创作,危机和喜剧:对伊甸故事,乔尔和约拿的生态批判性阅读。

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摘要

The purpose of this project is to showcase ecocriticism, a perspective borrowed and modified from literary scholarship. This perspective, detailed in Chapter 1, encourages interdisciplinary approaches, drawing on input from the sciences, social sciences, and literary theory. Also, because ecocriticism actively looks for nonhuman characters and natural imagery, it has the virtue of highlighting aspects of biblical texts that are often downplayed or ignored (such as Yhwh's direct speech to nonhuman characters). I apply the ecocritical perspective to three texts: Genesis 2-3, Joel, and Jonah, drawing out natural imagery, nonhuman characters, and the relationships (a key ecological theme) between all characters: human, divine, and nonhuman, the last category sometimes including plants and soil.;Chapters 2-4 examine the three texts from different interdisciplinary perspectives. Chapter 2 gives an ecocritical rereading of the Eden narrative, drawing on human behavioral ecology to show how this story, especially in the curses of Genesis 3.14-19, echoes the Neolithic Agricultural Revolution, in which humans gradually transitioned from a foraging lifestyle to one of settled agrarianism. Chapter 3 draws on entomology and ecocritical insights regarding crises and natural imbalances, showing how ecological catastrophe reveals to the author(s) of Joel the suffering of animals as well as humans. Chapter 4 draws on theories of comedy, especially Joseph Meeker's theory that comedy is a survival-focused, ecological mode of literature, to explicate the book of Jonah. What emerges is the character of Yhwh as a comic figure; desiring no human or animal deaths, Yhwh is willing to go to absurd lengths, engaging in trickery and object lessons in an attempt to reconcile divergent parties and to help the other characters choose life.;Chapter 5 discusses the themes common to these three biblical texts, especially the corrected themes of limitation and interdependence. Each of the three texts also reveals a God who is inextricably related to nature by virtue of having created it, and who values nonhuman persons and the health of the soil along with human wellbeing.
机译:该项目的目的是展示生态批评,这是从文学学术中借鉴和修改的观点。在第1章中详细介绍了这种观点,它鼓励借鉴科学,社会科学和文学理论的投入,采取跨学科的方法。此外,由于生态批评积极地寻找非人类角色和自然意象,因此它具有突出圣经文本某些方面的优势,这些方面经常被轻描淡写或忽略(例如,耶和华对非人类角色的直接演说)。我将生态批判的观点应用于三种文本:创世记2-3,约el和约拿,画出自然意象,非人类角色以及所有角色之间的关系(关键的生态主题):人类,神和非人类,最后一类2-4章从不同的学科角度考察了这三个文本。第2章从人类行为生态学的角度对伊甸园的叙事进行了生态批判性的重读,以表明这个故事,尤其是在《创世记》 3.14-19的诅咒中,是如何与新石器时代农业革命相呼应的,在该革命中,人类逐渐从觅食的生活方式过渡到了一种新的生活方式。定居的农业主义。第3章利用昆虫学和生态批评对危机和自然失衡的见解,向人们展示了生态灾难如何向乔尔的作者揭示动物和人类的苦难。第四章借鉴了喜剧理论,特别是约瑟夫·米克(Joseph Meeker)的理论,即喜剧是一种以生存为中心的生态文学模式,以阐释约拿书。出现的是作为漫画人物的耶和华的性格。耶和华不希望任何人或动物的死亡,但愿竭尽全力,参与各种技巧和对象课程,以调和分歧的政党并帮助其他角色选择生活。;第5章讨论了这三种圣经文本的共同主题。 ,尤其是修正的限制和相互依存主题。这三个文本中的每一个也都揭示了一个上帝,该上帝通过创造自然而与自然密不可分,并重视非人类和土壤健康以及人类福祉。

著录项

  • 作者

    Wolfe, Kellyann Falkenberg.;

  • 作者单位

    Union Theological Seminary.;

  • 授予单位 Union Theological Seminary.;
  • 学科 Religion Biblical Studies.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 239 p.
  • 总页数 239
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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