Kristin Lavransdatter, interpreting the trilogy as a multivoiced dialogue that challenges the narrative authority of the'/> Challenging authority: Saga, gossip, ballad and legend as narrative voices in Sigrid Undset's 'Kristin Lavransdatter' (Norway).
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Challenging authority: Saga, gossip, ballad and legend as narrative voices in Sigrid Undset's 'Kristin Lavransdatter' (Norway).

机译:具有挑战性的权威:传奇人物,传奇人物,传奇人物,传奇人物,传奇人物Sigrid Undset的《克里斯汀·拉夫兰斯达特》(Kristin Lavransdatter)(挪威)。

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摘要

This study presents a new reading of Sigrid Undset's trilogy Kristin Lavransdatter, interpreting the trilogy as a multivoiced dialogue that challenges the narrative authority of the text's introductory epic saga voice. The investigation departs from those previous interpretations of the novel that have discussed the work's correspondence to an extratextual history and reality. It analyzes instead how the narrative voices of the text themselves contest and create “true story”. Mikhail Bakthin's concept of the polyphonic novel is applied to consider the folk genres of saga, gossip, ballad and legend as already saturated voices that insert their own realities of collective common story, romance, the otherworldly and the fantastic into the predictable official story of the saga. The tensions between history and story, diachronic and synchronic narrative, fact and fiction, Truth and truths emerge as essential contradictions that create the dynamic of the narrative. From its historical epic beginning, this quietly carnivalesque text of Kristin Lavransdatter juxtaposes biography with adventure stories that challenge given life script both thematically and on a metanarrative level. The ultimate interface between everyday words and the sacred Word in this dialogue brings the narrative into the genre of legend. As an outcome of this investigation, the relationship between narrative and ideology is necessarily tested. The interpretation at once challenges the equation of conservative ideology and monologic text, and seeks to demystify the trilogy in the national narrative as history and to emphasize it instead as story. It also calls for a consideration of the author's voice in the trilogy as rhetorical as well as serious, creatively dialogic as well as factually accurate.
机译:这项研究为Sigrid Undset的三部曲 Kristin Lavransdatter 带来了新的解读,将三部曲解释为一种多声对话,挑战了文本介绍性史诗传奇的叙事权威。该调查与先前对小说的解释有所不同,前者对小说与超文本历史和现实的对应关系进行了讨论。相反,它分析文本的叙事声音本身是如何竞争并创造“真实故事”的。米哈伊尔·巴克丁(Mikhail Bakthin)的复音小说概念被用于将传奇,八卦,民谣和传奇等民间流派视为已经饱和的声音,将自己的现实生活融入集体的共同故事,浪漫,超凡脱俗和奇幻之中,成为可预见的官方故事。传奇历史与故事,历时与共时叙事,事实与虚构,真相与真理之间的紧张关系成为构成叙事动态的本质矛盾。从历史史诗开始,这本 Kristin Lavransdatter 狂欢节般的文字就将传记与冒险故事并列在一起,这些冒险故事在主题和超叙述层面上挑战给定的生活脚本。在此对话中,日常用词与神圣词之间的最终接口使叙事成为传奇的类型。作为这项研究的结果,叙事与意识形态之间的关系必须得到检验。这种解释立刻挑战了保守主义意识形态和单一论文本的等式,并试图使民族叙事中的三部曲神秘化为历史,并强调其作为故事。它还要求考虑作者在三部曲中的声音是修辞性的,严肃的,创造性的对话性的和事实上的准确性。

著录项

  • 作者

    Berguson, Claudia Jean.;

  • 作者单位

    University of Washington.;

  • 授予单位 University of Washington.;
  • 学科 Literature Modern.; Literature Germanic.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 180 p.
  • 总页数 180
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I1;I516;
  • 关键词

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