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Media Construction and Representations of Legitimate/Illegitimate Citizens.

机译:合法/非合法公民的媒体建设和代表。

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摘要

Media representations tell the citizenry the story of who they are. Who they are is often determined by who they are not and who they do not want to be. This dissertation takes up questions about how media help us understand who belongs in this nation and who is represented as outsiders. I examine these relationships first through the particular cases of Haiti and Cuba. The differences in U.S. immigration policy toward the groups serve as a fruitful starting point in discussing citizenship because it reveals that legislation and policies are not neutral, but ideological. Their creation and application are ideological. In Chapter 1 and throughout this dissertation I offer a comparative analysis of Cuban and Haiti. I do not wish to polarize Cuba and Haiti, but I compare them to reveal the ideological mechanisms at work in how they are represented. Cubans are often presented as a privileged group, but I hope the nuances of the group, including the virtual absence of Afro-Cubans in U.S. mainstream media, are evident in this dissertation principally through my analysis of Celia Cruz. I analyze representations of icons Cruz, Gloria Estefan, and Wyclef Jean to discuss media representation, citizenship and belonging, particularly as these icons potentially impact how group members negotiate mainstream representations of their groups. I articulate an acknowledgement that legal citizenship does not guarantee acceptance or foster a feeling of belonging and that all citizens are not treated the same way. Representations of pop star Beyonce Knowles enable me to unpack a citizenship that has fewer restrictions. Citizenship is a hegemonic construction, one that involves power and a struggle for power. The struggle is to define citizenship, which manifests in how it is represented, which is what I examine. In articulating a citizenship spectrum where blackness negates legal citizenship, I call for a Black Immigration Studies that pays attention to the in between, where the struggle for legal citizenship ends and the struggle for social legitimacy begins.
机译:媒体代表向市民讲述他们是谁的故事。他们是谁,通常取决于他们不是谁,以及谁不想成为谁。本文讨论了媒体如何帮助我们了解谁属于这个国家以及谁代表外人的问题。我首先通过海地和古巴的特殊情况来研究这些关系。美国对各群体的移民政策差异是讨论公民身份的一个富有成果的起点,因为它表明立法和政策不是中立的,而是意识形态的。它们的创建和应用是意识形态的。在第一章和整篇论文中,我对古巴和海地进行了比较分析。我不希望使古巴和海地两极分化,但我将它们进行比较以揭示工作中代表其作用的意识形态机制。古巴人通常是作为特权群体出现的,但是我希望该群体的细微差别,包括我在美国主流媒体中实际上缺乏非洲裔古巴人在内,在本文中主要是通过我对西莉亚·克鲁兹的分析得出的。我将分析Cruz,Gloria Estefan和Wyclef Jean的代表,以讨论媒体的代表,公民身份和归属感,尤其是这些图标可能会影响小组成员如何协商其团体的主流代表时。我明确承认,合法的公民身份不能保证接受或培养归属感,所有公民的待遇也不相同。流行歌手碧昂丝·诺尔斯(Beyonce Knowles)的表演使我能够解开一个限制较少的公民身份。公民身份是一种霸权主义建设,涉及权力和为权力而斗争。努力是要定义公民身份,这体现在公民身份的体现方式上,这就是我所研究的内容。在阐明黑人否定合法公民身份的公民身份谱时,我呼吁进行黑人移民研究,该研究关注两者之间的斗争,即争取合法公民身份的斗争结束,以及争取社会合法性的斗争开始。

著录项

  • 作者

    Celeste, Manoucheka.;

  • 作者单位

    University of Washington.;

  • 授予单位 University of Washington.;
  • 学科 Speech Communication.;Caribbean Studies.;Mass Communications.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 194 p.
  • 总页数 194
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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