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Quelques figures de monstres tragiques dans la litterature francaise des XVIe et XVIIe siecles.

机译:16世纪和17世纪法国文学中的一些悲剧怪兽人物。

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摘要

This thesis explores the relationship between the monster and the tragic in 16th and 17th century French literature, in particular through the analysis of the figure of the tragic monster. We borrowed the term "tragic monster" from F. Dupont (Monstres de Seneque) and we have elaborated this concept in conjunction with the structure of Ancient Greek and Roman tragedy, composed of dolor, furor, nefas and the tragic monster. Our first chapter explores the many connotations associated with the monster in 16th and 17th century France (prodigious births, grotesques, and monstrous heroes of Greek and Roman tragedy) and establishes the similarities between the scenario of Ancient tragedy and the story of the Fall of man.;In our second chapter, we take note of the coincidence between monstrous form and monstrous behaviour in Aubigne's depiction of France as a "monstrous giant" in Les Tragiques and also demonstrate the strong connection between the tragic and the monstrous for Aubigne. In chapter three, a comparison of Beze's Abraham sacrifiant to the medieval treatment of the story of Abraham and Isaac reveals the concept of the tragic monster as an innovation that Beze develops from his Greek and Roman models. We also note the important differences between Beze's biblical tragedy and his models. In chapter four we follow the tragic arc of both Thesee and Phedre in Racine's Phedre, highlighting the importance of self-knowledge in this play and that of lucidity for the concept of the tragic monster. In chapter five, lucidity continues to be a major theme as Pascal attempts to convert his reader by impressing upon him his status as a "monstre incomprehensible" in Les Pensees. In our conclusion, we attempt to trace an evolution in the concept of the monster -- originally thought of something "against nature", to finally being defined with Pascal, as the very essence of the human being -- and we point to the possible consequences of this evolution.
机译:本文主要通过分析悲剧怪兽的形象来探讨16世纪和17世纪法国文学中的怪兽与悲剧之间的关系。我们从F. Dupont(Monstres de Seneque)借来了“悲剧性怪物”一词,并结合古希腊和罗马悲剧的结构,详细阐述了这一概念,该悲剧由多洛尔,狂怒,尼法斯和悲剧性怪物组成。我们的第一章探讨了与16和17世纪法国的怪物有关的许多含义(巨大的出生,怪诞的希腊和罗马悲剧英雄),并建立了古代悲剧场景与人类堕落故事之间的相似之处在第二章中,我们注意到奥比涅在《悲惨世界》中将法国描述为“巨大巨人”时,怪异形式与怪异行为之间的巧合,并且也证明了奥比涅的悲剧与怪兽之间的紧密联系。在第三章中,将Beze的亚伯拉罕牺牲品与中世纪对亚伯拉罕和以撒的故事的处理方式进行比较,揭示了悲剧性怪物的概念,这是Beze从其希腊和罗马模型发展而来的一项创新。我们还注意到贝兹的圣经悲剧与他的模型之间的重要区别。在第四章中,我们沿拉辛的《菲德》中的塞西和菲德的悲剧弧线,强调了自知在剧中的重要性以及对悲剧性怪物的概念的清晰性。在第五章中,透明度一直是一个主要主题,因为帕斯卡(Pascal)试图通过使他成为莱斯彭塞(Les Pensees)的“不可理解的怪物”而给读者留下深刻的印象,以使他改变信仰。在我们的结论中,我们试图追溯怪物概念的演变-最初想到的是“反对自然”的东西,最终被帕斯卡定义为人类的本质-我们指出了可能这种演变的后果。

著录项

  • 作者

    Graham, Anne G.;

  • 作者单位

    Queen's University (Canada).;

  • 授予单位 Queen's University (Canada).;
  • 学科 Literature Romance.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 277 p.
  • 总页数 277
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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