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Fashion transgressions and crimes of style: The image of the female fashion journalist.

机译:时尚违规和风格犯罪:女性时尚记者的形象。

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摘要

This work examines the image of female fashion journalists in three series of novels by Ellen Byerrum, Sam Baker, and Eleanor Hyde. Lacey Smithsonian is the main character in the "Crimes of Fashion" seven-novel series by Ellen Byerrum and two films, Killer Hair and Hostile Makeover , based on two of the novels. The two films will be compared and contrasted to the novels that inspired the films. Smithsonian will be compared to female journalists and fashion journalists, including Annie Anderson from the Sam Baker two-novel series and Lydia Miller, an ex-runway model turned fashion writer in the Eleanor Hyde two-novel series.;Lacey Smithsonian hates being the fashion reporter, even though it brings her fame and success at the paper. Even though Lacey loves to dress in clothes from the 1940s, she dislikes being forced to write about fashion instead a "serious" beat. Lacey is a strong-willed female, but her role as a sob sister and victim is evident in the series. Crimes of fashion occur on her beat and, as she investigates, she ends up becoming part of the story.;Annie Anderson must fight her inner demons as she acclimates to the new direction her career has taken as the fashion features editor for one of the top British fashion magazines, Handbag. Her previous job was at The London Post as the chief investigative reporter. She decided she needed a break from "serious" journalism and thus began her job in fashion. She does not fit in with the magazine, yet she is very successful and ends up landing coveted exclusive interviews that land her cover stories. Her investigative skills get her in trouble as she becomes involved in solving disappearances and murders that soon threaten her life.;Lydia Miller is a former runway model who doesn't share the same passion for journalism as Smithsonian and Anderson. The writer doesn't care for the craft but only works for the fashion magazine Gazelle to pay the bills. She, too, stumbles onto murders and must solve the cases before she becomes history.
机译:这部作品从艾伦·拜鲁姆(Ellen Byerrum),萨姆·贝克(Sam Baker)和埃莉诺·海德(Eleanor Hyde)的三本小说中考察了女性时尚记者的形象。莱西·史密森尼(Lacey Smithsonian)是艾伦·拜伦(Ellen Byerrum)的七部小说系列“时尚之谜”的主要角色,根据这两部小说,两部电影《斜体杀手》和《斜体敌对的改头换面》都以小说形式出现。 。这两部电影将与启发这部电影的小说进行比较和对比。史密森尼将与女性记者和时尚记者进行比较,其中包括来自Sam Baker两部小说系列的安妮·安德森(Annie Anderson)和来自Eleanor Hyde两部小说系列的时装秀前时装秀作家莉迪亚·米勒(Lydia Miller);莱西·史密森尼讨厌时尚。记者,尽管这使她在报纸上声名and起。尽管莱西(Lacey)喜欢穿1940年代的衣服,但她不喜欢被迫撰写有关时尚的文章,而不是“严肃的”拍子。蕾西是一个意志坚强的女性,但她在剧集中扮演的姐姐和受害者的角色显而易见。在她的节拍中发生了时尚犯罪,随着她的调查,她最终成为了故事的一部分。;安妮·安德森(Annie Anderson)必须与内心的恶魔抗争,因为她适应了她的职业生涯的新方向,成为其中一位时尚特约编辑。英国顶级时尚杂志,手提包。她先前的工作是在《伦敦邮报》 担任首席调查记者。她认为自己需要摆脱“严肃”的新闻业,因此开始从事时尚工作。她不适合该杂志,但她非常成功,最终获得了梦co以求的独家专访,从而获得了她的封面故事。她的调查技能使她陷入困境,因为她参与解决将威胁她生命的失踪和谋杀案。莉迪亚·米勒(Lydia Miller)是一位前跑道模特,对史密森尼和安德森的新闻热情不高。作者并不在乎手工艺,而只为时尚杂志 Gazelle 工作。她也偶然发现谋杀案,必须在成为历史之前解决案件。

著录项

  • 作者

    Sotoodeh, Sarah Christie.;

  • 作者单位

    University of Southern California.;

  • 授予单位 University of Southern California.;
  • 学科 Journalism.
  • 学位 M.A.
  • 年度 2012
  • 页码 103 p.
  • 总页数 103
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:43:27

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