首页> 外文学位 >The art of rupture: Emigre artists in contemporary perspective (Khanh Vo, Irene Sosa, Hans Witschi, Jim Thirlwell, Emer Martin, Vietnam, Venezuela, Switzerland, Australia, Ireland).
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The art of rupture: Emigre artists in contemporary perspective (Khanh Vo, Irene Sosa, Hans Witschi, Jim Thirlwell, Emer Martin, Vietnam, Venezuela, Switzerland, Australia, Ireland).

机译:破裂的艺术:当代视角的移民艺术家(Khanh Vo,Irene Sosa,Hans Witschi,Jim Thirlwell,Emer Martin,越南,委内瑞拉,瑞士,澳大利亚,爱尔兰)。

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摘要

Geographically displaced artists and writers have captured the scholarly interest of social scientists and humanists alike, yet even sociological treatments of emigre artists too often become conflated with myths, stereotypes and rigid typologies of "the artist" or "the exile." The Art of Rupture: Emigre Artists in Contemporary Perspective combines textual analysis of artifacts (including artwork, reviews and personal statements) with detailed interviews to explore how five living artists and writers born after 1950---Khanh Vo, Irene Sosa, Hans Witschi, Jim Thirlwell and Emer Martin---describe their own experiences of art and dislocation, and how they recount or represent a relationship between those experiences. The dissertation finds that these artists frame and describe the processes of making art and of geographic relocation as distinct from mundane or everyday experiences, countering assertions that conventional boundaries have been eroded to the point of meaninglessness. Part 1 addresses theoretical and methodological issues that shape a sociological account of contemporary emigre artists, including sociological constructs of "the artist", definitions of emigres, exiles and immigrants, and the problem of classification. Part 2 is comprised of the case studies of five living artists and writers, combining interviews with textual analysis of artifacts, including artwork, reviews and personal statements. Proceeding from recent innovations within the sociology of culture, this dissertation considers aesthetic as well as social-structural factors that emerge within the case studies. Finally, the conclusion addresses the data in light of contemporary theory on art and geographic dislocation, finding that in these five cases, creating art and being geographically displaced (by force or choice) are described by the subjects as rupturous experiences.
机译:流离失所的艺术家和作家都吸引了社会科学家和人文主义者的学术兴趣,然而,即使对艾米格雷艺术家的社会学处理也常常与“艺术家”或“流亡者”的神话,刻板印象和僵化的类型混淆在一起。破裂的艺术:当代视角的移民艺术家结合了对文物的文字分析(包括艺术品,评论和个人陈述),并进行了详尽的访谈,以探讨1950年后出生的五位活着的艺术家和作家——Khanh Vo,Irene Sosa,Hans Witschi,吉姆·瑟尔韦尔(Jim Thirlwell)和埃默尔·马丁(Emer Martin)-描述了他们自己的艺术和错位体验,以及他们如何叙述或代表这些体验之间的关系。论文发现,这些艺术家对艺术创作和地理搬迁的过程进行了框架和描述,这与平凡或日常的体验截然不同,这与传统界限已被侵蚀到毫无意义的说法背道而驰。第1部分探讨了塑造当代爱米克艺术家的社会学解释的理论和方法论问题,包括“艺术家”的社会学结构,爱米格人,流亡者和移民的定义以及分类问题。第2部分包括五位在世艺术家和作家的案例研究,结合访谈和对文物的文本分析,包括艺术品,评论和个人陈述。本文从文化社会学的最新创新出发,考虑了案例研究中出现的美学以及社会结构因素。最后,结论根据当代艺术和地理错位理论对数据进行了研究,发现在这五种情况下,创作艺术和地理流离失所(通过武力或选择)被受试者描述为破裂的经历。

著录项

  • 作者

    Bachner, Elizabeth.;

  • 作者单位

    New School University.;

  • 授予单位 New School University.;
  • 学科 Sociology General.; Fine Arts.; Biography.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 299 p.
  • 总页数 299
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 社会学;艺术;传记;
  • 关键词

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