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Camera work: News photography and America's working class, 1919--1950.

机译:摄影作品:新闻摄影和美国工人阶级,1919年--1950年。

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This dissertation examines the complex portrait of American labor that emerged in news photography of the 1930s and 1940s. It suggests that renegotiations of workers' place in American society took place in front of Detroit factory gates and in Washington D.C. corridors, but also in the pages of an ever more national, standardized, and photographic mass media. The analysis explores the nexus between mass culture and political and labor history. It shows how unions and corporations waged symbolic battles about who workers were, what unions could bring them, and how workers should flex their newfound political and economic might with news imagery. In the 1930s, technological innovations in cameras and in photographic transmission, the embracing of the photograph by government agencies, unions, and corporations, and the consolidation of mass audiences for news magazines meant that the news was brought to millions of Americans with visual immediacy. The dissertation offers five case studies of the use of news photography to advance, or retard, union drives and unionism. Three case studies examine media venues: one looks at LIFE, the pre-eminent innovator of the use of the photograph in the U.S.; and two others explore union newspapers, New Voices, of New York's Local 65 warehouse workers' union and Steel Labor of the United Steelworkers of America. Two additional case studies explore strikes during the CIO's rise in 1937, a strike at the Hershey Chocolate Corporation, and a strike at Chicago's Republic Steel, which led to the Memorial Day Massacre. Using case studies permits a concrete exploration through archival records of how photographs were used to shape conceptions of organized labor. In union newspapers, national magazines, and corporate public relations campaigns, news photographs increasingly visualized workers as participants in the American Dream. However, powerful messages in news photographs constricted the political and economic terrain workers and unions could fight on, ultimately helping to contain workers' possibilities within that Dream.
机译:本文考察了1930年代和1940年代新闻摄影中出现的复杂的美国劳工肖像。它表明,在底特律的工厂大门前和华盛顿特区的走廊前,以及在越来越多的全国性,标准化和摄影大众媒体的页面上,都在重新谈判工人在美国社会的地位。该分析探讨了大众文化与政治和劳动史之间的联系。它显示了工会和公司如何就工人是谁,工会可以带给他们什么以及工人如何利用新闻图像来发挥其新发现的政治和经济力量进行象征性的斗争。在1930年代,相机和照片传输方面的技术创新,政府机构,工会和公司对照片的拥抱,以及新闻杂志的大量观众聚集,意味着新闻以视觉即时的方式被带给了数百万的美国人。论文提供了五个利用新闻摄影促进或阻碍工会运动和工会主义的案例研究。三个案例研究考察了媒体场所:一个是LIFE,这是美国照片使用的杰出创新者;另一个是另外两家公司还浏览了纽约当地65个仓库工人工会的工会报纸,New Voices,以及美国钢铁工人联合会的钢铁工人组织。另外两个案例研究探讨了1937年CIO升职期间的罢工,好时巧克力公司的罢工和芝加哥共和国钢铁厂的罢工,从而导致了阵亡将士纪念日大屠杀。使用案例研究可以通过档案记录来具体探索照片是如何被用来塑造有组织劳动的观念的。在工会报纸,国家杂志和公司公共关系运动中,新闻图片越来越多地形象地展示了参加“美国梦”的工人。但是,新闻摄影中的有力信息限制了工人和工会的政治和经济势力,最终工会可以在这个梦想中遏制工人的可能性。

著录项

  • 作者

    Quirke, Carol.;

  • 作者单位

    City University of New York.;

  • 授予单位 City University of New York.;
  • 学科 History United States.; American Studies.; Art History.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 642 p.
  • 总页数 642
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 美洲史;艺术史、艺术思想史;
  • 关键词

  • 入库时间 2022-08-17 11:42:39

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