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Torches for a new dawn, recomposition and renaissance: Maya media production in San Cristobal de Las Casas, Mexico.

机译:新的曙光,重组和复兴的火把:墨西哥圣克里斯托瓦尔德拉斯卡萨斯的Maya媒体制作。

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摘要

In this dissertation project, I examine small media production in Chiapas, Mexico with its ramifications and connections to the present social order of highland Maya Chiapas, and to the field of indigenous media. In researching the media of the cultural Maya heart of Chiapas, San Cristobal de Las Casas, I am specifically asking: (1) Do Maya media express or reinscribe continuity in traditional Maya folklore and myth? (2) How do Zapatista media compare and contrast to other highland Maya media in regard to context, form, and ideology? (3) Do highland Maya media, as self-representation, illustrate the economic and political realities of a disadvantaged ethnic group? (4) What are the aesthetics of Maya media production, and do these aesthetics provide insights about Maya selfhood and identity? (5) What is the function and form of representative highland Maya media in San Cristobal de las Casas, Mexico?;Preparing for the research, I suspected that the Maya producers in the small media enclaves would have to negotiate among diverse economic, political and cultural inputs in creating their own vision of the world exemplified through visual media. In situating these multiple confluences this dissertation is a close reading of small media production informed by ethnographic fieldwork in San Cristobal, but it is also a study of a "media place". Maya media enclaves in highland Chiapas currently produce photographic art, literature, drama, and documentary video.;This dissertation provides exegesis to an ever expanding Mesoamerican cultural renaissance, a literary and media movement that now includes diverse forms of literary and electronic forms of media. It is also a small part of the now expansive field of inter-disciplinary research dedicated to indigenous media--research that is being undertaken in six continents.
机译:在本学位论文项目中,我研究了墨西哥恰帕斯州的小型媒体生产,以及与高地玛雅恰帕斯州当前社会秩序以及土著媒体领域的关系。在研究恰帕斯州圣克里斯托瓦尔·德·拉斯·卡萨斯(Chiapas)的恰帕斯州文化玛雅人心的媒体时,我特别要问:(1)玛雅人的媒体是否表达或铭刻了传统玛雅人的民间传说和神话? (2)Zapatista媒体在上下文,形式和意识形态方面如何与其他高地玛雅媒体进行比较和对比? (3)高地玛雅人的媒体是否作为自我代表来说明弱势族群的经济和政治现实? (4)Maya媒体制作的美学是什么,这些美学是否提供有关Maya自尊和身份的见解? (5)墨西哥圣克里斯托瓦尔德拉斯卡萨斯高地玛雅人代表媒体的功能和形式是什么?;为研究做准备,我怀疑小型媒体飞地中的玛雅人生产者将不得不在各种经济,政治和政治之间进行谈判。通过视觉媒体体现出在创造自己的世界观中的文化投入。在这些多重汇合的情况下,本论文是对在圣克里斯托瓦尔的人种志田野调查所提供的小型媒体生产的近距离阅读,但这也是对“媒体场所”的研究。恰帕斯州高地的玛雅人媒体飞地目前正在生产摄影艺术,文学,戏剧和纪录片视频。这也是目前在六大洲进行的针对土著媒体的跨学科研究的广阔领域的一小部分。

著录项

  • 作者

    Torres, Carlos D.;

  • 作者单位

    University of Colorado at Boulder.;

  • 授予单位 University of Colorado at Boulder.;
  • 学科 Cultural anthropology.;Mass communication.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 170 p.
  • 总页数 170
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:36:55

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