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'Der Himmel ueber Hellas und Halberstadt': A study of the image of the sky in Greek philosophy and recent German literature (Plato and Alexander Kluge).

机译:“ Der Himmel ueber Hellas und Halberstadt”:对希腊哲学和最近的德国文学(柏拉图和亚历山大·克鲁格)中天空形象的研究。

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摘要

This dissertation examines the sky as an image of thought, time and morality in Greek philosophy and German film and literature by way of the paradigmatic cases of Plato and Alexander Kluge. The first part explores Plato's Timaeus as a source of meanings that the West has ascribed to sky above and earth below. Plato explicitly refers to the starry sky as an image of time and reason. Other senses that he attributes to these images can be discovered by examining the systematic context and internal structure of this work. This entails reading it, not just as a cosmology, but as an anthropology, politics and ethics. The divide these images mark on the cosmic level returns on each further level of the system, so that these master images come to signify important relations pertaining to each. Thus, Timaeus's sky is also an important image of politics and ethics. The second part shows how these binary relations not only continue in the twentieth century, but how they structure certain strains of contemporary thought, as well as forms of literature and film. Our main object of study is Alexander Kluge's "Der Luftangriff auf Halberstadt am 8. April 1945". In preparation for the reading, I survey Kluge's aesthetic notions and techniques, as well as basic themes and theoretical ideas. While the second chapter offers a reading of the whole of the literary work, the final chapter marshals earlier materials to examine the images of sky and earth in this literary work. These images not only give its multiple perspectives a central focus, but put the work into a relation with all the discourses that have grouped themselves under these rubrics since antiquity. In this chapter, I also examine how these figures function as images of time, morality and politics in the modern context. The aim of the dissertation is to show how themes from Plato continue in the modern context, but also how they are re-contextualized and revised to help us make sense of contemporary concerns.
机译:本文以柏拉图和亚历山大·克鲁格为例,考察了天空在希腊哲学,德国电影和文学中的思想,时间和道德形象。第一部分探讨了柏拉图的《提马乌斯》,作为西方将其归因于上方的天空和下方的地球的意义的来源。柏拉图明确地将繁星点点的天空称为时间和理性的图像。通过检查这项工作的系统背景和内部结构,可以发现他归因于这些图像的其他感觉。这就需要阅读它,不仅是作为一种宇宙学,而且是作为人类学,政治和伦理学。这些图像在宇宙级别上的划分在系统的每个其他级别上返回,因此这些主图像开始表示与每个图像相关的重要关系。因此,提马俄斯的天空也是政治和伦理的重要形象。第二部分说明了这些二元关系如何不仅在二十世纪继续存在,而且如何构成当代思想的某些张力以及文学和电影的形式。我们的主要研究对象是亚历山大·克鲁格(Alexander Kluge)的“ Der Luftangriff auf Halberstadt am,1945年4月8日”。在准备阅读时,我调查了克鲁格的美学观念和技巧以及基本主题和理论思想。第二章提供了整个文学作品的阅读内容,而最后一章则整理了较早的资料,以检查该文学作品中的天空和地球的图像。这些图像不仅使它的多种观点成为中心焦点,而且使该作品与自古代以来就归入这些主题的所有话语联系在一起。在本章中,我还将研究这些人物如何在现代背景下充当时间,道德和政治的形象。论文的目的是展示柏拉图的主题如何在现代背景下继续发展,以及如何将它们重新关联和修改以帮助我们理解当代关注的问题。

著录项

  • 作者

    Meyns, Gilbert W.;

  • 作者单位

    New York University.;

  • 授予单位 New York University.;
  • 学科 Literature Germanic.; Philosophy.; Cinema.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 421 p.
  • 总页数 421
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 哲学理论;电影、电视艺术;
  • 关键词

  • 入库时间 2022-08-17 11:39:31

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