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X Y Z: Chamber music composition for violin, violoncello, double bass, marimba and percussion.

机译:X Y Z:小提琴,大提琴,低音提琴,木琴和打击乐器的室内乐作品。

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摘要

This work features multiple meters sounding simultaneously and a harmonic scheme limited to four four-part interval collections. Each of the four interval collections sounds alone for several phrases before moving to another collection and before later sounding simultaneously with another collection. The pitch content of each interval collections is a major triad joined by one non-triadic pitch. The index of interval content for each of the four harmonic collections governs consistency throughout the work. A detailed formal scheme of the entire work outlining harmony, meter, and density of melodic activity was created before specific pitches and rhythms were composed. This scheme balanced the sequence of harmony, meter, and melodic density with varying levels of change that reflect duration considerations inspired by Fibonnacci's Golden Ratio.
机译:这项工作的特点是多个仪表同时发声,并且谐波方案仅限于四个四部分间隔的采集。四个间隔集合中的每一个在移到另一个集合之前以及随后与另一个集合同时发声之前,都会单独听起来几个短语。每个间隔集合的音调内容是一个主要的三合音,再加上一个非三合音调。四个谐波集合中每个集合的间隔内容指数决定了整个工作的一致性。在组成特定的音高和节奏之前,创建了一份详细的正式工作计划,概述了旋律活动的和声,音调和密度。该方案在和声,音高和旋律密度的序列与变化的变化水平之间取得平衡,这些变化反映了受斐波那契奇黄金比例启发的持续时间考虑因素。

著录项

  • 作者

    Davis, Joshua.;

  • 作者单位

    University of Maryland, College Park.;

  • 授予单位 University of Maryland, College Park.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2007
  • 页码 64 p.
  • 总页数 64
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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