声明
致谢
Introduction
1. Research Background
2. Research Significance and Objectives
3. Literature Review
3.1 From Criticism to Reevaluation: Reception of Coleridge’s Imagination Before the 20th Century
3.2 A Reconsideration of Imagination: Research on Coleridge Since the 20th Century
4. Thesis Structure
Chapter 1 The Platonic and Medieval Origins of Imagination
1.1 The Platonic Origin of Imagination
1.1.1 Mania Through Recollection:A Manic Route to Achieve Idea
1.1.2 Recollection Through Imagination: A Scheme of Imaginative Growth
1. 2 Imagination From Plotinus’ Neoplatonism to Dante’s Christian Theology
1.2.1 Plotinus’ the One:Imagination as an Unified Entity
1.2.2 Dante’s Visionary Imagination:a Way of Divine Revelation
Chapter 2 Coleridge’s Redefinition of Imagination in the Romantic Era
2.1 The Crisis of Imagination Since the 17th Century and Coleridge’s Reflection
2.2 The Characteristics of Coleridge’s Conception of Imagination
2.2.1 Genius as a Creative and Self-sufficing Power:the Recreation of an Organic Unity
2.2.2 The Duality of Imagination: Imagination as an Unified Intellectual Faculty
2.2.3 Imagination and Divine Vision:Imagination as an Act of Faith
Chapter 3 Coleridge’s Practice of Imagination Theory
3.1“Kubla Khan”:an Intelligent Unity Through Poetic Genius
3.2“The Rime of the Ancient Mariner”:the Fusion of Religion and Poetry Through Imagination
Conclusion
参考文献
浙江大学;
