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Reconstructing the West Mebon Vishnu: A Marriage ofTraditional Artefactual Analysis with Digital 3D Visualization

机译:重建西梅邦·毗湿奴:传统手工艺品分析与数字3D可视化的结合

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The West Mebon Vishnu is one of the most magnificent works of sculpture in South East Asian art history, and a key example of the tradition of large bronzes that plays an important role in the history of the region. Unfortunately, this once powerful and serene sculpture survives only in 19 major fragments that together constitute perhaps 40% of the original statue. Reconstruction of the Vishnu from these fragments is a formidable task that we have approached by combining detailed analysis of the surviving fragments with digitally modeled 3D reconstruction, informed by comparative studies of Vishniavite iconography and the aesthetic and religions traditions of Khmer culture. Beyond its aesthetic value, the reconstruction process may provide insights into the many unknowns surrounding the creation and destruction of this masterpiece.
机译:西Mebon Vishnu是东南亚艺术史上最宏伟的雕塑作品之一,也是大型青铜器传统的重要实例,在该地区的历史中起着重要作用。不幸的是,这座曾经强大而宁静的雕塑只能在19个主要碎片中幸存下来,这些碎片合起来可能占原始雕像的40%。从这些碎片中重建毗湿奴是一项艰巨的任务,我们将幸存的碎片的详细分析与数字化3D重建相结合,这是我们要完成的任务,这得益于对Vishniavite图像学以及高棉文化的美学和宗教传统的比较研究。除了其美学价值外,重建过程还可以提供有关此杰作创作和破坏的许多未知因素的见识。

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