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Using High Dynamic Range Home Master Statistics to Predict Dynamic Range Requirement for Cinema

机译:使用高动态范围家庭主数据来预测电影院的动态范围要求

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The High Dynamic Range (HDR) home video format launched several years ago and has been adopted by the industry such that HDR Home Masters are created for most new release titles and are released for home video distribution using Ultra HD Blu-ray and digital formats. Mastering titles in HDR Cinema is the next logical evolution toward higher quality content and is thus greatly anticipated. However, mastering for HDR Cinema is still experimental due to the wide variety of potential HDR Cinema display technologies and their unique dynamic range characteristics. Determining the required dynamic range for HDR Cinema Masters is thus of great interest. In this paper, we propose an estimation of two properties of the dynamic range required for HDR Cinema Masters based on two different datasets. The first dataset corresponds to the dynamic range statistics and cumulative distribution function (CDF) of 41 Warner Bros. HDR Home Masters. Analyzing this dataset indicates that the maximum light level of a frame (the peak luminance values) is directly related to the Frame Average Light Level (FALL) of the frame. In other words, there is a maximum contrast between the intensity of the highlights in an image and the average intensity of the image. The second dataset is composed of matching mastered grades for SDR Cinema (DCI), Enhanced Dynamic Range Cinema (Dolby Cinema theatrical release) and HDR Home formats. Paired matching of content is useful to derive a translation between grades. By performing a cross-analysis between SDR and EDR Cinema content, we estimate a trend on the evolution of the FALL statistic when a higher dynamic range is provided. A second cross-analysis between HDR Home and EDR Cinema characterize the translation of mid-tones between small screens with surround illumination to big screens in a dark viewing environment. Using the different analyses, we predict two optimized properties of the dynamic range needed to represent most future HDR Cinema mastered content.
机译:高动态范围(HDR)家庭视频格式是几年前推出的,并已为业界所采用,例如,HDR Home Masters是为大多数新发行的作品创建的,并使用Ultra HD Blu-ray和数字格式发行用于家庭视频发行。 HDR Cinema中的母带标题是朝着更高质量的内容发展的下一个逻辑演进,因此人们对此寄予厚望。但是,由于各种潜在的HDR Cinema显示技术及其独特的动态范围特性,对HDR Cinema的母带制作仍处于试验阶段。因此,确定HDR Cinema Master所需的动态范围非常重要。在本文中,我们建议根据两个不同的数据集,估算HDR Cinema Masters所需的动态范围的两个属性。第一个数据集对应于41位华纳兄弟HDR Home Masters的动态范围统计数据和累积分布函数(CDF)。分析该数据集表明,一帧的最大光水平(峰值亮度值)与该帧的帧平均光水平(FALL)直接相关。换句话说,图像中高光的强度与图像的平均强度之间存在最大的对比度。第二个数据集由SDR电影院(DCI),增强型动态范围电影院(杜比电影院影院发行)和HDR Home格式的匹配母带组成。内容的成对匹配有助于获得年级之间的转换。通过在SDR和EDR Cinema内容之间进行交叉分析,我们提供了更高的动态范围时,可以估算FALL统计量演变的趋势。 HDR Home和EDR Cinema之间的第二项交叉分析的特征是,在黑暗的观看环境中,具有环绕照明的小屏幕之间的中间色调转换为大屏幕。通过使用不同的分析,我们预测了代表大多数未来HDR Cinema掌握的内容所需的动态范围的两个优化属性。

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