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Optical methods in tempera on wood painting restoration

机译:蛋彩画中的光学方法对木画的修复

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The present study refers to an application of optical techniques in restoration of icons. These are, technically speaking, paintings on wood panel using pigments mixed with egg yolk. Making a section through the layers that compose an icon, they appear in the following order: a support made of wood panel; a preparation made from a mixture of an organic glue and a substance for volume (most frequently used are CaSO_4 or CaCO_3 in natural spread forms of crystallization; a layer of paint and gold or silver sheets and the final almost transparent layer which consists in a natural resin also known as varnish. During the classic intervention, the specialist is assisted by modern optoelectronic devices. The cleaning process is based on the laser beam next to conventional methods. Cleaning with solvents or with scalpels is less accurate than cleaning with laser and the precision of the later method is requested in fine art restoration.
机译:本研究涉及光学技术在图标还原中的应用。从技术上讲,这些是在木板上使用颜料和蛋黄混合的绘画。在组成图标的各层中进行剖切,它们按以下顺序显示:木板制成的支撑;由有机胶和一定体积物质的混合物制成的制剂(最常用的是自然扩散的结晶形式的CaSO_4或CaCO_3;一层漆和金或银片,最后一层几乎透明的层,由天然树脂,也称为清漆,在经典的干预过程中,专家需要现代光电设备的协助,其清洁过程是基于激光束,其次是传统方法,使用溶剂或手术刀进行清洁的精度不如使用激光进行清洁,且精度高在美术修复中要求采用后一种方法。

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