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LIGHTSHELVES AND FINS - CARRYING ON WHERE THE TROPICALMODERNISM LEFT OFF

机译:货架和细节-承载热带现代主义的遗风

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When modernist architecture in the tropics started inrnthe 30′of the 20th century, air-conditioning systemsrnand special glazing were not yet available. To realizernmodernist architecture in the tropics a tropicalrnapproach was necessary so as to adapt modernistrndesign with the climatic reality of the tropics: the finsrnwere introduced.rnDue to handling and maintenance problems, poorrndaylighting conditions and a new aesthetic in form ofrncurtain wall facades, the fins were widely abandonedrnby architects and engineers.rnBut due to the high solar radiation even new glazingrntechnologies couldn't resolve a mayor problem inrntropical office buildings: the extremely unevenrndaylighting distribution, causing glare problems closernto the fa?ade and creating spots without sufficientrndaylighting just a couple of meters away from thernfa?ade.rnRadiance therefore was used to improve and developrna three-dimensional fixed system, a combination ofrnlight shelves and fins, specifying new materials tornensure the demands of daylighting in modern officernbuildings. The results are quite promising.
机译:热带地区的现代主义建筑始于20世纪30年代,当时还没有空调系统和特殊的玻璃窗。为了在热带地区实现现代主义建筑,必须采用热带方法,以使现代主义设计与热带地区的气候现实相适应:引入了鳍片。由于处理和维护问题,日光照明条件差以及窗帘墙外墙形式的新美学,鳍片被广泛使用但是,由于高的太阳辐射,即使是新的玻璃技术也无法解决市售的办公楼问题。无机办公楼:日光分布极为不均匀,导致距外观较近的眩光问题,并且在距几米远的地方没有足够的采光,造成了斑点。因此,Radianance的产品被用于改进和开发三维固定系统,即光架和散热片的组合,并指定了新材料来满足现代官邸建筑采光的要求。结果是很有希望的。

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