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The Reconstruction of Ratok Bawak as the Society of Bukik Limbuku Payakumbuh into the Ratok Lareh Panghulu Art

机译:将拉托克·巴瓦克重建为Bukik Limbuku Payakumbuh社会,成为拉托克·拉雷·邦胡鲁艺术

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Ratok Bawak is a wailing culture owned by Bukit Limbuku nagari community in Minangkabau. As the descendants of Datuak Penghulu Basa Nan Koruik, Ratok Bawak has become the identity of Bukit Limbuku nagari community. This culture began to be abandoned since the community's understanding of Islamic teachings is getting stronger. This research is done to preserve Ratok Bawak as an asset of the national identity of Indonesia. Specifically, this study aims to express Ratok Bawak into the work of Dance "Ratok Lareh Pangulu", and to inform the community. In order to realize the artwork "Ratok Lareh Pangulu", used Gadamer's interpretation theory, about the understanding of the reality of events. The research method used is a qualitative method, by doing literature study, observation, interview, and documentation. In order to know the form of embodiment of Ratok Bawak, done by reconstructing ratok bawak ritual process, which is documented into the form of vidio and photo. The reconstruction result is poured and packed into Ratok Lareh Pangulu dance and documentary film. The achievement of this dance showcases the spectacular elements (mise on scene) such as the design of concepts, emphasis on authentic characters of strong character, the expression of motion that expresses the character's character, explores the visualization of the characters in the laments, which combines events in the Ratok Bawak, to form a dramatic ladder. The sharpening of the unity of performances is reinforced by Minangkabau musicality.
机译:Ratok Bawak是米南卡保Bukit Limbuku nagari社区拥有的一种哀嚎文化。作为Datuak Penghulu Basa Nan Koruik的后裔,Ratok Bawak已成为Bukit Limbuku nagari社区的身份。由于社区对伊斯兰教义的理解越来越强烈,这种文化开始被抛弃。这项研究是为了保护拉托克·巴瓦克,使其成为印度尼西亚民族认同的一项资产。具体而言,本研究旨在将拉托克·巴瓦克表达到舞蹈《拉托克·拉雷·潘古鲁》中,并告知社区。为了实现艺术作品《拉托克·拉雷·潘古鲁》,他运用伽达默尔的解释理论,对事件的真实性进行了理解。所使用的研究方法是定性方法,通过文献研究、观察、访谈和文献记录。为了了解拉托克·巴瓦克的化身形式,通过重建拉托克·巴瓦克的仪式过程,将其记录为视频和照片的形式。重建的结果被注入拉托克·拉雷·潘古鲁的舞蹈和纪录片中。这场舞蹈的成就展示了壮观的元素(现场的米塞),例如概念设计、强调具有强烈性格的真实角色、表达角色性格的动作表达、探索悲歌中角色的形象化,结合拉托克巴瓦克的事件,形成一个戏剧性的阶梯。米南卡保的音乐性加强了表演的统一性。

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