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Mexican Indigenous Textiles in Contemporary Fashion Trends

机译:当代时尚趋势的墨西哥土着纺织品

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This paper presents a view of the influence of traditional indigenous textiie arts on current fashion styles in Mexico.While these design products bear a marked 'Mexican' distinction,they serve to place such designers,many of them brilliant,in the foreground of fashion.As they are applauded for their innovation and for their supposed rescue of native cultures,seldom is recognition given to the traditional makers themselves,who have not ceased to uphold millenary traditions and cultural symbols.The use of indigenous textiles,whole and in parts,is increasingly becoming a means by which designers construct designs that make a strong impact,distinguishing the designer.This paper contemplates a reflection on the appropriations of an ethnic group's textile achievements for the individual benefit of the designer celebrity.At the same time,as culture is not static,indigenous makers-weavers,embroiderers and seamstresses-are developing their own new fashion trends,which are receiving attention and obtaining increasing popularity.These propose varied styles of traditional garments and are forging new markets: the famed clothing of the Isthmus Zapotec women has found many diverse applications; the embroidered garments of Zinacantán in the Highlands of Chiapas,in recent years,have incorporated new materials,colors and fibers allowing for unmeasured creativity; and the textile work of the Amuzgos in the southwestern mountains of Mexico in Guerrero and Oaxaca has not stopped in further excelling in weaving precision and richness of brocades that are widely distributed throughout the country.Various factors contribute in strengthening a community's textile traditions,these being innovation from within,success in commercial aspects,and cultural pride.Against the backdrop of indigenous endeavors to make a mark,not only regionally but also at the national and international levels,perhaps it is in the designers' calling attention to these textiles through appropriation,that such a focus can be considered in parallax as means to promote indigenous achievements in their own right.
机译:本文提出了传统的土着文本艺术对墨西哥当前时尚风格的影响。当这些设计产品具有标志着的“墨西哥人”的区别,他们有助于这样的设计师,其中许多人在时尚的前景中辉煌。因为他们被鼓掌的创新和他们所谓的本土文化拯救,很少是对传统制造商本身的承认,他们没有停止秉承千禧年传统和文化象征。使用土着纺织品,整个部分,是越来越多地成为设计师构建强烈影响的设计的手段,区分设计师。本文考虑了族裔纺织成就的拨款,为设计师名人的个人利益。同时,随着文化的同时,随着文化的同时不是静态,土着制造商 - 编织者,刺绣和裁缝 - 正在开发自己的新时尚潮流,受到关注ND获得越来越受欢迎。这提出了各种各样的传统服装款式,正在锻造新市场:Zapotec女性的着名服装已经找到了许多不同的应用;近年来,Zinacantán的刺绣服装近年来,已纳入新的材料,颜色和纤维,允许未测量的创造力;在Guerrero和瓦哈卡的墨西哥西南山脉中Amuzgos的纺织品工作并未在织造精确和丰富的繁琐方面,这些锦标赛的良好优先始于全国各地的繁琐和丰富的优惠。各种因素有助于加强社区的纺织传统,这些因素来自内部的创新,商业方面的成功,以及文化骄傲。在土着努力的背景下,不仅在国家和国际一级地区,也许是在设计师通过拨款来关注这些纺织品的关注,这种焦点可以在视差中考虑为促进自己的权利促进土着成就的手段。

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