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Darkness and Depth in Early Renaissance Painting

机译:早期文艺复兴时期绘画中的黑暗和深度

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Contrast has always been appreciated as a significant factor in image quality, but it is less widely recognized that it is a key factor in the representation of depth, solidity and three-dimensionality in images in general, and in paintings in particular. This aspect of contrast was a key factor in the introduction of oil paint as a painting medium at the beginning of the fifteenth century, as a practical means of contrast enhancement. However, recent conservatorship efforts have established that the first oil paintings were not, as commonly supposed, by van Eyck in Flanders in the 1430s, but by Masolino da Panicale in Italy in the 1420s. These developments led to the use ofchiaroscuro technique in various forms, all of which are techniques for enhanced shadowing.
机译:对比度始终被认为是图像质量的重要因素,但众所周知,它是一般图像中的图像深度,稳定性和三维性能表示的关键因素,特别是在绘画中。对比的这种方面是在第十五世纪初作为一种绘画媒体引入油漆的关键因素,作为对比增强的实用手段。然而,最近的工区努力已经确定,第一个油画并不像普通的那样由100世纪30年代的法兰德斯van Eyck,而是由意大利在1420年代意大利的Masolino Da Panicale。这些发展导致了以各种形式使用的丘世科技术,所有这些都是增强遮蔽的技术。

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