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The origin of petroglyphs-recordings of a catastrophic aurora in human prehistory?

机译:人类史前灾难性极光的岩画录制的起源?

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Petroglyphs are images created on rock by means of carving or 'pecking' the outer surface to expose the surface underneath They are found on all continents except Antarctica. The purpose of this paper is an attempt to explain how in man's prehistory recordings of high-energy-density phenomena (some not experimentally recorded until the last few years) could have been carved on rock in an accurate, systematic and apparently temporally accurate fashion. Based on the compilation and analysis of the order of 50,000 digitally recorded petroglyphs, we have identified several dozen general categories of instabilities whose morphology is that of a highly nonlinear pinched plasma column generally associated with multi-mega-ampere Z-pinch experiments. We shall present the direct comparison of the temporal evolution of experimental instabilities with petroglyphs, indicating that nearly all archaic carvings match the phenomena that ought be produced in an intense and long-lasting aurora.
机译:岩画是通过雕刻或'啄'外表面在岩石上创建的图像,以暴露在除南极洲之外的所有大陆下面的表面。本文的目的是解释男人在人类的高能密度现象的预象记录中如何(直到过去几年的一些未经实验记录)可以以准确,系统的,并且明显的时间准确的方式雕刻在岩石上。基于编制和分析数量数字记录的岩石,我们已经确定了几十个一般类别的不稳定性,其形态是与多功能多功能Z-PINCH实验相关的高度非线性夹持的等离子体柱的一般性。我们将在岩画方面提出实验稳定性的时间演变的直接比较,表明几乎所有的古老雕刻都与强硬和持久的极光产生的现象相匹配。

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