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Aesthetic Contemplation of the Tang Dynasty Dunhuang Frescoes Elements on Contemporary Costume Design

机译:唐代敦煌壁画元素对当代服装设计的美学思考。

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With a history of over one thousand years, the art of Dunhuang has developed into a series and diversified schools of design, highlighting the profound connotation of the Chinese culture. Influenced by social politics, economy, culture and aesthetic orientation at that time, Dunhuang fresco in Dang dynasty reached its peak in decorative forms and decorative techniques, obtaining high historical literature value and aesthetic value. To apply the aesthetic elements of Dunhuang murals in Dang dynasty to modern fashion design, the designer is supposed to be innovative, and endeavor to analyze, research, extract, reconstruct the national culture embodied in Dunhuang murals in Dang dynasty, so that they can present the ethnic culture characteristics in the modern visual design language, which may conform to modern aesthetic orientation. This paper applies methods of literature research, case analysis, and comparative study to summarize and classify the aesthetic literature of Dunhuang murals in Dang dynasty in an effort to study the material, design, image, detail and cultural connotation of Dunhuang murals in Dang dynasty to understand its aesthetic value and its development progress. The paper also gives an analysis on some representative cases of the application of the aesthetic elements of Dunhuang murals in Dang dynasty in the fashion design. Meanwhile, the paper is also an investigation and analysis about the trend of contemporary fashion design as to the style, color, craft and so on, to see possibility to incorporate the aesthetic elements of Dunhuang Dang fresco into the concept of contemporary fashion design and its practice. On the basis of the study, this paper points out that the Dunhuang fresco in Dang dynasty may offer enlightenment to the contemporary fashion design in fields of material, color, composition, delicacy and cultural connotation: pure natural mineral toner and other materials used in the Dunhuang fresco can be applied to the corresponding clothing fabrics, trying to produce special clothing materials; and the color composition of Dunhuang Dang fresco can also be a reference for the clothing color collocation; the design of clothing style and pattern can be analyzed, extracted and reconstructed from the pattern of Dunhuang fresco in Dang dynasty, and the delicacy of Dunhuang frescoes in Dang dynasty may help the designer in the detail-designing. The Buddhist culture in Dang dynasty was unprecedentedly active, showing the magnificence of the time. It is also necessary to implant such culture into contemporary fashion design. Clothing is a walking culture. It provides a more intuitive window for the dissemination and exchange of Chinese culture to apply aesthetic elements of Dang dynasty frescoes in Dunhuang into contemporary fashion design. Therefore, the study is of a high research value and importance.
机译:敦煌艺术已有一千多年的历史,已发展成为一系列多样的设计流派,凸显了中国文化的深刻内涵。受当时社会政治,经济,文化和审美取向的影响,当当敦煌壁画的装饰形式和装饰工艺达到顶峰,具有很高的历史文学价值和审美价值。为了将当ang敦煌壁画的美学元素运用到现代服装设计中,设计师应该具有创新性,并努力分析,研究,提取,重建当ang敦煌壁画中体现的民族文化,以便他们能够展示现代视觉设计语言中的民族文化特征,可能符合现代审美取向。本文运用文献研究,案例分析和比较研究的方法,对当代敦煌壁画的美学文献进行了归纳和分类,旨在研究当代敦煌壁画的材料,设计,意象,细节和文化内涵。了解其美学价值及其发展进度。本文还分析了当代敦煌壁画审美元素在服装设计中的一些代表性案例。同时,本文也是对当代服装设计在风格,色彩,工艺等方面的趋势的调查和分析,以期发现有可能将敦煌当壁画的美学元素纳入当代服装设计及其概念中。实践。在研究的基础上,本文指出当当敦煌壁画可能在材料,色彩,成分,美味和文化内涵等方面对当代服装设计提供启示:纯天然矿物碳粉和其他用于服装的材料。敦煌壁画可以应用于相应的服装面料,试图生产特殊的服装材料;敦煌党壁画的色彩构成也可以作为服装色彩搭配的参考。可以根据当年敦煌壁画的图案来分析,提取和重构服装风格和图案的设计,当当时期敦煌壁画的精美可以帮助设计师进行细节设计。当朝的佛教文化空前活跃,展现了时代的辉煌。也有必要将这种文化植入当代时装设计中。服装是一种步行文化。它为传播和交流中国文化提供了一个更直观的窗口,可将敦煌当当壁画的美学元素运用到当代时装设计中。因此,该研究具有很高的研究价值和重要性。

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