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Acoustic and Subjective Evaluation of 22.2- and 2-Channel Reproduced Sound Fields in Three Studios

机译:在三个录音室中对22.2和2声道再现声场的声学和主观评估

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Three studios of similar outer-shell dimensions, with varying acoustic treatments and absorptivity, were evaluated via both recorded and simulated binaural stimuli for 22.2- and 2-channel playback. A series of analysis, including acoustic modelling in CATT-Acoustic and subjective evaluation, was conducted to test whether the 22.2-channel playback preserved common perceptual impressions regardless of room-dependent physical characteristics. Results from multidimensional scaling (MDS) indicated that listeners used one perceptual dimension for differentiating between reproduction format, and others for physical room characteristics. Clarity and early decay time measured in the three studios illustrated a similar pattern when scaled from 2- to 22.2-channel reproduced sound fields. Subjective evaluation revealed a tendency to preserve inherent perceptual characteristics of 22.2-channel playback in spite of different playback conditions.
机译:通过录制和模拟的双耳刺激,分别评估了22.2和2声道回放的三个外壳尺寸相似,具有不同声学处理和吸收率的录音室。进行了一系列分析,包括CATT-声学和主观评估中的声学建模,以测试22.2声道播放是否保留了普通的感官印象,而与房间相关的物理特征无关。多维缩放(MDS)的结果表明,听众使用一个感知维度来区分再现格式,而使用其他感知来区分房间的物理特征。当从2声道到22.2声道的再现声场缩放时,在这三个工作室中测得的清晰度和早期衰减时间显示出类似的模式。主观评估表明,尽管播放条件不同,但仍会保留22.2声道播放固有的感知特性。

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