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Using scents to connect to intangible heritage: Engaging the visitor olfactory dimension: Three museum exhibition case studies

机译:使用气味连接非物质遗产:吸引游客的嗅觉:三个博物馆展览案例研究

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Olfactory experiences are powerful triggers of personal memories and can play an important role in connecting audiences to intangible heritage. This is recognized by museums seeking to move beyond the dominant visuocentric exhibition paradigm, broadening the spectrum of sensorial stimuli on offer. However, the delivery of olfactory experiences in a museum presents important and unique challenges, largely related to the odorant's physical nature, which impose constraints to the design of experiences that can reach the visitor with impact and efficacy. Here, we present an olfactory delivery device designed to address these issues, which was prototyped and implemented over a 10-year period as an integral element of a display dedicated to the culinary heritage of Singapore. The device was also utilized in two other exhibitions, with radically different purposes: in one case as an element of the indigenous natural and cultural heritage, and in the other as a comparison tool to provide an intuitive illustration of progress. The diverse subject matters covered, and the different approaches to the delivery of olfactory stimuli demonstrate the versatility of the olfactory device in a range of exhibit settings. The case studies presented indicate that olfactory experiences can be effectively integrated in local museums, but their inclusion demands additional processes and specific consideration. Growing interest in this area of exhibition design, consistent with a global trend to transform museums into multisensory environments, makes this an important field for further research.
机译:嗅觉体验是个人记忆的强大触发因素,并且在将观众与非物质遗产联系起来方面可以发挥重要作用。博物馆寻求超越主流的以视觉为中心的展览范式,以扩大提供的感官刺激范围,这已得到博物馆的认可。然而,在博物馆中传递嗅觉体验提出了重要且独特的挑战,很大程度上与增香剂的物理性质有关,这对体验设计产生了一定的限制,这些体验的设计可以影响并影响参观者。在这里,我们介绍一种旨在解决这些问题的嗅觉传递装置,该装置在10年的时间里已原型化并实施,是专门用于展示新加坡烹饪遗产的显示器的组成部分。该设备还用于其他两个展览中,其目的截然不同:在一种情况下,作为土著自然和文化遗产的一部分,在另一种情况下,作为比较工具,以直观方式说明进展情况。涉及的主题多种多样,嗅觉刺激的传递途径也不同,这些都证明了嗅觉装置在各种展览环境中的多功能性。提出的案例研究表明,嗅觉体验可以有效地整合到当地博物馆中,但是要纳入嗅觉,则需要额外的过程和特殊考虑。对展览设计领域的兴趣日益浓厚,这与将博物馆转变为多感官环境的全球趋势相一致,这使它成为进一步研究的重要领域。

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