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Auralization as a tool of historic reconstruction of Vadstena Abbey church

机译:听觉化是瓦斯德纳修道院教堂历史重建的工具

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Throughout human history, there have been locations used for performance of speech and music. Many of these locations are considered part of our common cultural heritage, and more and more of them can be visited virtually as technology advances to produce better and better reconstructions. However, the technological capabilities are not the only limitations when it comes to historical reconstruction, and one of the most important research questions is often to determine the actual historical configuration of a space. This is the case for a project regarding Vadstena Abbey church in Sweden. As a step in producing the virtual reconstruction, a number of different configurations for one of the major performance locations will be examined using acoustic simulations and auralizations. As the acoustic properties of a space affects the performances within it, there should be a correspondence between the musical and oral traditions of this location in particular and its acoustics. Historical records of the performance traditions within the space, as well as records of the acoustic experiences of visitors, will be used as an evaluation tool to distinguish between the models.
机译:在整个人类历史中,一直存在用于表演语音和音乐的场所。这些地点中有许多被认为是我们共同文化遗产的一部分,随着技术的进步,越来越多的人可以虚拟访问这些地点,以产生越来越好的重建。但是,技术能力并不是历史重建的唯一局限性,最重要的研究问题之一通常是确定空间的实际历史配置。有关瑞典Vadstena修道院教堂的项目就是这种情况。作为产生虚拟重建的步骤,将使用声学模拟和声音化技术检查主要演奏位置之一的许多不同配置。由于空间的声学特性会影响其内部的性能,因此,特别是该位置的音乐和口头传统与其声学之间应有对应关系。空间中表演传统的历史记录以及访客的声学体验记录将用作评估工具,以区分模型。

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