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The Many Faces of Facebook: Experiencing Social Media as Performance, Exhibition, and Personal Archive

机译:Facebook的许多面孔:体验社交媒体作为表演,展览和个人档案

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The growing use of social media means that an increasing amount of people's lives are visible online. We draw from Goffman's theatrical metaphor and Hogan's exhibition approach to explore how people manage their personal collection of social media data over time. We conducted a qualitative study of 13 participants to reveal their day-to-day decision-making about producing and curating digital traces on Facebook. Their goals and strategies showed that people experience the Facebook platform as consisting of three different functional regions: a performance region for managing recent data and impression management, an exhibition region for longer term presentation of self-image, and a personal region for archiving meaningful facets of life. Further, users' need for presenting and archiving data in these three regions is mediated by temporality. These findings trigger a discussion of how to design social media that support these dynamic and sometimes conflicting needs.
机译:越来越多的社交媒体的使用意味着越来越多的人的生命是在线可见的。我们从Goffman的戏剧隐喻和Hogan的展览方法中汲取,探索人们如何随着时间的推移管理社交媒体数据的个人收集。我们对13名参与者进行了一个定性研究,以揭示他们在Facebook上产生和策划数字痕迹的日常决策。他们的目标和策略表明,人们体验了Facebook平台,由三个不同的功能区组成:用于管理最近的数据和印象管理的绩效区域,一个展览区域,用于自我形象的长期呈现,以及归档有意义的面部的个人区域生活。此外,用户在这三个区域中的呈现和存档数据的需要是由临时介绍的。这些调查结果触发了如何设计支持这些动态和有时相互冲突的社交媒体的社交媒体。

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