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Variable Acoustics means Variation of Reverberation Time - does it?

机译:可变声学意味着混响时间的变化-是吗?

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By the use of a, simple, adjustable reflector, and taking into account the specific source positions, the acoustics of the theatre can be optimized for either Opera or Drama. Shaping the build-up of the early sound results in a perceivable different acoustic environment, although the reverberation time does not change. A variation of about 1 dB in C50 and 1.5 dB in C80, at a reverberation time of 1.4 s, effectively changes the auditorium from a speech theatre to an opera house. In addition, other acoustic problems like the poor coverage in the stalls and poor pit conditions have been solved too. After the renovation, the acoustics have been received very favourably, not at least by the orchestra which favours the pit condition. The success of the theatre has been expressed by the critics of 'Opernwelt' by electing the theatre 'Opernhaus des Jahres' in 2007.
机译:通过使用一个简单,可调节的反射器,并考虑到特定的声源位置,剧院的声学效果可以针对歌剧或话剧进行优化。尽管混响时间不会改变,但塑造早期声音的集结会导致可感知的不同声学环境。在1.4 s的混响时间下,C50的变化大约为1 dB,C80的变化大约为1.5 dB,有效地将礼堂从演讲厅变为歌剧院。此外,还解决了其他声音问题,例如摊位覆盖率差和坑坑洼洼的情况。翻新后,声学效果非常好,至少不受到乐团的青睐。剧院的成功已经由“剧院”的批评者通过在2007年选举剧院“贾里斯剧院”来表达。

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