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A new perceptual entropy-based method to achieve a signal adapted wavelet tree in a low bit rate perceptual audio coder

机译:一种新的基于感知熵的方法,可在低比特率感知音频编码器中实现信号自适应小波树

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This paper outlines a wavelet based audio coding scheme that uses a perceptual entropy criterion to achieve a signal adapted wavelet tree. We are interested in decompositions adapted to the nature of audio signals, but attending to the characteristics of the human hearing system. Our audio coder is compared with two other wavelet based coding schemes: the first one implements a fixed wavelet decomposition which closely mimics the critical band division at the inner ear, while the second one uses an adaptive wavelet tree controlled by a classical entropy criterion, such as Shannon entropy. The results confirm that perceptual entropy-based decomposition is the way you must take if you are looking for maximum compression rates and transparent coding. To achieve a further bit rate reduction ensuring transparent coding, our audio coder performs a filter order optimization, which is possible by using a novel algorithm to translate the psycho-acoustic information from the frequency to the wavelet domain. Experimental results indicate that the proposed coder ensures transparent coding of monophonie CD quality audio signals at bit rates lower than 64 kb/s (1.45 bit/sample) for most audio signal. Subjective listening tests tell us that our coding method behaves as well as ISO/MPEG 1 — layer III and much better than MPEG 2-layer II at that bit rate.
机译:本文概述了一种基于小波的音频编码方案,该方案使用感知熵准则来实现信号自适应的小波树。我们对适合于音频信号性质的分解感兴趣,但要符合人类听力系统的特征。我们的音频编码器与其他两种基于小波的编码方案进行了比较:第一种实现固定的小波分解,该分解紧密模拟内耳的临界频带划分,而第二种使用由经典熵准则控制的自适应小波树,例如作为香农熵。结果证实,如果要寻找最大的压缩率和透明编码,则必须采用基于熵的分解。为了进一步降低比特率以确保透明编码,我们的音频编码器执行了滤波器阶数优化,这可以通过使用新颖的算法将心理声学信息从频率域转换到小波域来实现。实验结果表明,对于大多数音频信号,所建议的编码器可确保以低于64 kb / s(1.45位/样本)的比特率对单声道CD质量的音频信号进行透明编码。主观听觉测试告诉我们,在该比特率下,我们的编码方法的行为与ISO / MPEG 1-Layer III相同,并且比MPEG 2 Layer II更好。

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