Originality in The Creation of Mozart Chamber: Trio op. 14 no. 2 for Piano, Clarinet (or Violin) and Viola in Mi Bemol Major KV 498 (1786) by Wolfgang Amadeus

摘要

Part I contains all the inner sections characteristic for the classical sonata, namely the triad [Exposition - Development - Resuming]. In this formal scheme, Mozart's innovation consists in the lack of the double bars indicating repetition, which used to divide it into two ample segments; the configuration appears modified, yet it acquires a real symmetry.