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From Kiev to Miami Beach to Paris in holography

机译:从基辅全息照相到迈阿密海滩再到巴黎

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Abstract: Nowhere is the global village more clear than in holography. Working in diverse environments in various countries, my intention is to invoke an awareness of the socio-political and psychological truths of these societies. This sounds presumptuous, but by focusing on a singular signpost or person, perhaps not impossible. Making holograms in three enormously different parts of the world has been a remarkable and rewarding experience. Chronologically, in the past two years I worked in: the Soviet Union with Dr. Vladimir Markov, Chief of the Holography Laboratory, and his group, Kiev, Ukrainian Institute of Physics, Academy of Sciences, July 1989; Florida, U.S.A., with Larry Lieberman et al. at Holographic Images, February 1991; and France, with Hugh Souparis et al. at Hologram Industries, Fontenay-sous-Bois, a suburb of Paris, March 1991. Between the Soviet and Florida productions, an exhibition of our Soviet work integrated into installations was shown at the Museum of Holography (MOH), New York City. !11
机译:摘要:地球村是全息摄影中最清晰的地方。我打算在各个国家的不同环境中工作,以唤起人们对这些社会的社会政治和心理真理的认识。这听起来像是在吹牛,但通过关注单个路标或人,也许并非不可能。在世界三个截然不同的地方制作全息图是一次了不起的收获。按时间顺序,在过去的两年中,我曾在苏联工作,与全息摄影实验室负责人弗拉基米尔·马尔科夫博士及其团队在1989年7月一起在科学院乌克兰物理研究所基辅工作。美国佛罗里达州,拉里·利伯曼(Larry Lieberman)等人。 1991年2月在Holographic Images上;和法国,Hugh Souparis等人。 1991年3月,在巴黎郊区丰特奈-苏-布瓦的全息图工业公司(Hologram Industries)进行展览。在苏联和佛罗里达的作品之间,我们的苏联作品融入装置的展览在纽约市全息博物馆(MOH)进行了展览。 !11

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