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Probabilistic and Logic-Based Modelling of Harmony

机译:基于概率和逻辑的和谐建模

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Many computational models of music fail to capture essential aspects of the high-level musical structure and context, and this limits their usefulness, particularly for musically informed users. We describe two recent approaches to modelling musical harmony, using a probabilistic and a logic-based framework respectively, which attempt to reduce the gap between computational models and human understanding of music. The first is a chord transcription system which uses a high-level model of musical context in which chord, key, metrical position, bass note, chroma features and repetition structure are integrated in a Bayesian framework, achieving state-of-the-art performance. The second approach uses inductive logic programming to learn logical descriptions of harmonic sequences which characterise particular styles or genres. Each approach brings us one step closer to modelling music in the way it is conceptualised by musicians.
机译:音乐的许多计算模型无法捕获高级音乐结构和上下文的基本方面,这限制了它们的实用性,尤其是对于有音乐知识的用户。我们分别描述了使用概率和基于逻辑的框架对音乐和谐进行建模的两种最新方法,它们试图减小计算模型与人类对音乐的理解之间的差距。第一个是和弦转录系统,它使用高级的音乐环境模型,将和弦,调子,音调位置,贝斯音符,色度特征和重复结构集成在贝叶斯框架中,从而实现了最新的演奏。第二种方法使用归纳逻辑编程来学习谐波序列的逻辑描述,这些序列描述了特定样式或类型。每种方法都使我们更接近以音乐家概念化音乐建模的方式。

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