It reflects his comprehension of poetry of the flourishing Tang Dynasty by the way of deepening his style theory and his contradictory characteristics that Li Panlong imitated Li Bai in the creation of poetry and highlighted the regulated verse and jueju while he deleted Li Bai’s poems in The Selected Anthology of Past and Present Poems compiled by Li Panlong.Comparing his attitude toward Du Fu with his attitude toward Li Bai,Li Panlong’s poetics idea falls into three aspects:the contradiction between his way of imitating Li Bai in his creation of ancient poetry and his theory of ancient poetry style-discrimination,the contradiction of standard of the Tang-style between his high praise of five-character regulated verse and jueju and his denial of seven-character line poetry,and reflecting the contradiction between the elegant poetics theory and the poem-style idea while defining the model of Li Bai’s poet-ry.Li Panlong's acceptance of Li Bai’s poems with weak characteristic of“style”reflected the true status of style theory which was faced with transformation in the middle of the Ming Dynasty.%李攀龙在诗歌创作中透露出的仿李白痕迹，以及其编定的《诗删》对李白古诗的裁汰和对律诗和绝句的突显，反映了他从格调理论深化的角度来理解盛唐诗歌的方式及其自身的矛盾特征。与对待2诗的态度相比，李攀龙在面对李诗时所透露的诗学观念，一体现在古诗创作中对李白不自觉的摹仿方式与其古诗辨体理论的矛盾，二体现在对李诗五律和绝句的拔高与否定其七古歌行之间，涉及到的“唐体”标准的矛盾，三体现在确立所选李诗诗典范时，其雅正观念与诗体观念之间的矛盾。李攀龙对“格调”特色相对较弱的李诗的接受态度，鲜明体现出明中期格调论面临变革的实际状态。
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