暴风骤雨时代的浅吟低唱--从叙事者“我”解读孙犁解放区短篇小说的艺术魅力

摘要

孙犁解放区短篇小说中出现的第一人称叙事者可以分为讲故事的“我”和隐含作者的“我”两种类型，它们在价值观上的和谐统一是作品产生清新俊丽风格的深层原因。论文以《邢兰》、《女人们·红棉袄》、《走出之后》和《纪念》四篇小说为例，分别从叙事者“我”的身份、“我”的话语言说方式和“我”所承担的叙事功能三个方面入手，结合孙犁自身的传统文人品性和人道主义情怀解读其解放区短篇小说的艺术魅力。%The first-person narrators in Sun Li ’ s short stories on liberated areas can be classified into two types-the narrator “I” and the “I” implying the author, whose harmony and unity in values is the underlying cause for the fresh and elegant style of the short stories. This paper attempts to interpret the artistic charm of Sun Li’ s short stories on liberated areas in terms of the identity of “I” narrators, the discourse mode of “I” and the narrative function of“I” by sampling four short stories like Xing Lan, Women and Red Cotton-Padded Jackets, etc. and referring to Sun Li’ s self moral character of traditional literati and feelings of humanism.