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Investigation about ancient mortars and plasters in the Mondovi cathedral (Cuneo, Italy)

机译:Mondovi大教堂(意大利库尼奥)中有关古代灰泥和灰泥的调查

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St. Donato Cathedral of Mondovi (Cuneo Province, North-West Italy) is the last project of the famous architect Francesco Gallo (1672-1750). The construction started in 1744, but it has been consecrated only in 1763. The building is an impressive brick-made church with a main nave and two lateral aisles, which remarkable length is 56 meters and it is 24 meters wide. Its style is mainly baroque with some neoclassical additions. After the edification, the decoration of the interior walls was very simple; probably it was a white finish of smooth plaster consisting of lime and magnesian lime mortar. There are some evidences of a basic decoration: a uniform bluish or grayish tinge. Around 1850 a plan for a new decorative apparatus was made and some of the most important painters of that period were committed to paint sacred subjects on the vault and apse, and to provide the decorations of the walls. In early 2012 started some important restoration works in the Cathedral. One of the main purpose of the Restoration Team is to get scientific and historical information about the work of ancient painters and decorators. The scientific investigation on mortar layers was conducted on various samples, several of them were resin included polished sections, using Optical Microscopy (OM) and Scanning Electron Microscopy (SEM) supported by Energy Dispersive Microprobe spectroscopy (EDS). The analyses carried out on the samples clearly showed the historical stratifications of different layers. The first stratification is made of mortars and plasters dating around the middle of 18~(th) century, and shows different compositions and very neat layers. While the last stratification is a more recent mortar plaster, which is coarse-grained, used as a background for the new decorations done in the middle of 19~(th) century.
机译:Mondovi的圣多纳托大教堂(意大利西北部的库内省)是著名建筑师弗朗切斯科·加洛(Francesco Gallo)(1672-1750)的最后一个项目。该建筑始建于1744年,但直到1763年才被奉献。该建筑是一座令人印象深刻的砖砌教堂,带有一个中殿和两个侧过道,其显着的长度为56米,宽24米。它的风格主要是巴洛克风格,并带有一些新古典主义风格。教化之后,内墙的装饰非常简单。大概是白色的光滑抹灰石膏,由石灰和镁石灰砂浆组成。有一些基本装饰的证据:均匀的蓝色或灰色调。大约在1850年,制定了一种新的装饰设备的计划,该时期一些最重要的画家致力于在拱顶和后殿上绘画神圣的物体,并提供墙壁装饰。在2012年初,大教堂开始了一些重要的修复工作。修复队的主要目的之一是获得有关古代画家和装潢工人工作的科学和历史信息。对砂浆层进行了科学研究,对各种样品进行了研究,其中一些是使用能量分散微探针光谱仪(EDS)支持的光学显微镜(OM)和扫描电子显微镜(SEM)进行的,其中包括树脂抛光部分。对样品进行的分析清楚地表明了不同层的历史分层。第一个分层是由约18世纪中期的灰泥和灰泥制成的,显示出不同的成分和非常整齐的层。最后一个分层是较新的砂浆灰浆,它是粗粒度的,用作19世纪中叶进行的新装饰的背景。

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