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Between documentality and imagination: Five theses on curating the violent past

机译:纪录片和想象力之间:五个论文策划暴力过去

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摘要

This article considers the notion that to document or inscribe our lives not only leaves a trace of our creaturely presence, but may also become a form of juris-writing, a writing that concerns and aims at Justice. Employing an expanded notion of Justice that takes it beyond the institutions of law, therefore, it asks about forms of documentality (Ferraris) that put us before memory' in Derrida's sense. How is it possible to think curation in relation to a violent past in such a way that neither attempts to deny the lacunae nor surrenders in the face of the difficulties of such attempts? How should we consider the relation between the delimited encounter with an invitation to imagine' (Didi-Huberman) and processes of institutionalisation that build a society? What about those things that it is not possible to show, including relations of power, that arise analytically? Reflecting on current memory spaces, especially within ex-clandestine centres for detention, torture and extermination (ex-ccdtyes) in Argentina, the article offers five theses in order to consider what is at stake in the encounters staged at these sites.
机译:本文认为,要记录或刻录我们的生活的概念不仅留下了我们的创造性存在的痕迹,而且也可能成为管辖的形式,这是一个令人关心和诉诸司法的书面。因此,雇用扩大的正义概念,因此,它要求它询问将我们在德里达的感觉前留下记忆的纪录片形式(法拉利)。如何思考与暴力过去的策法,以这样的方式,既不试图在面对这种尝试的困难时否认平面图,也不会投降?我们本需要如何考虑界定遭遇与邀请邀请的邀请(Didi-Huberman)和建立社会的制度化流程?那些不可能显示的事情呢?反思当前的记忆空间,特别是在阿根廷的拘留,折磨和灭绝(前CCDTYES)的前克兰特岛中心内,这篇文章提供了五个论文,以考虑在这些地点上演的遇到股权。

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