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Can Sadness Perceptions in Music be Primed?

机译:音乐中的悲伤感能被激发吗?

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摘要

A study was undertaken to determine whether being exposed to another person's perceptions of emotion would bias the perception of music listeners. A sample of 66 undergraduate psychology students at a small, residential, Catholic college and 103 students at a large, non-sectarian, urban university, comprised of commuters, listened to a recorded jazz piano improvisation and indicated their perceptions of emotion on 7-point scales of friendly-angry, happy-sad, and tense-relaxed. Half the participants preceded their listening by reading that a fan of this pianist had said that everything the pianist played was sad. Among the Catholic college students, perceptions of sadness in the music were significantly higher for the primed listeners than for the listeners who had not read the fan's remark. There was no difference in sadness perception between primed and unprimed listeners among the non-sectarian, urban university students.
机译:进行了一项研究,以确定是否暴露于他人的情绪感知会偏向音乐听众的感知。样本是由一所通勤者组成的一所小型民办天主教大学的66名本科心理学学生和一所由通勤者组成的大型非宗派城市大学的103名学生,他们听了录制的爵士钢琴即兴演奏,并在7点上表明了他们对情感的看法友善,悲伤和紧张的尺度。一半的参加者在听音乐之前先读到这位钢琴家的粉丝曾说过,钢琴家演奏的一切都是悲伤的。在天主教大学生中,有声音乐的听众对音乐中的悲伤感明显高于未读过歌迷评论的听众。在非宗派的城市大学生中,有主听者和无主听者在悲伤感上没有差异。

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